I wonder if your camera wasn't defective in some way. I haven't done a lot of 
studio work with the k5, but on those jobs I've done it focused well on the 
modeling lights.

Paul via phone

> On Oct 10, 2013, at 7:44 PM, Bill <[email protected]> wrote:
> 
> On 10/10/2013 8:15 AM, Tom C wrote:
>>> From: Bill <[email protected]>
>>> Pentax has been on it's way out since I was selling cameras 30 years
>>> ago. They went from being an industry leader to a wannabe in one
>>> generation of cameras.
>>> All of a sudden, they have something to market that, in many ways,
>>> leapfrogs the competition rather than being two steps behind with their
>>> best.
>>> There is no sarcasm in looking at what they have come up with here and
>>> saying they have more on the ball now than they have had for nearly
>>> three decades.
>>> It seems to have worked out for Pentax, finally.
>>> 
>>> bill
>> I agree with much of what you say, but leapfrogs???
> In some respects yes. Nikon has nothing that specs out to the K3 for example.
>> 
>> It's still a 24MP camera that's a year and a half to two years late.
> That's one metric. I'm sure you know there is more to cameras than pixel 
> count. It would have been nice if Hoya had done more with the brand in the 
> five years or so they had it, but it is what it is.
>> 
>> It's amazing that 3 months ago the K-5/K-5II fulfilled everyone's
>> needs and 'why would one want more resolution?', and now it's goo-goo
>> ga-ga over the K-3.
> I've never said i didn't want a higher res sensor, though whether I need it 
> is another story. What I need is an AF system that works reliably in the 
> studio. Pentax fell down, and fell down badly with the K5 in this regard.
> 
> bill
> 
> 
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