> From: Bill <[email protected]>
>
> A couple of things:
> 1) It's a matter of principal. It's a news photo, and thusly should be
> as unmanipulated as possible.
> 2) Where is the slippery slope? When does it become not OK to make
> manipulations? Are we OK with not knowing if an image we are being
> presented with is a representation of the real thing or not?

Was that the case here? What was the subject of the photo? The soldier
or the video camera?

If I pick up a candy bar wrapper that's littering the foreground in a
landscape shot is that wrong? No. If I clone it out afterwards when I
notice it. Is that wrong? No.

This wasn't a case of a photographer manipulating a photo with intent
to mislead the viewer. It was case of cloning out an unimportant
element. What viewer looked at it and thought, 'Wow there's supposed
to be a video camera down in the corner'?


>
> We aren't talking about a family portrait where we expect Aunt Maude to
> look 10 years younger, and any manipulation that alters our perception
> of the image is wrong, plain and simple. This includes extreme contrast
> manipulation, extreme dodging and burning, removing or adding subject
> matter, in fact anything that is done with the intention of obscuring
> what was actually in front of the camera.
> For myself, even using really long or really short focal lengths to
> alter the image from a normal perspective can be an excessive manipulation.
>
> bill

Come now, come now. You make me spit my wine out! Mr. Lens Inventory.

Tom C.

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