On Fri, Jan 24, 2014 at 12:52 PM, Igor Roshchin <[email protected]> wrote:
>
> Fri Jan 24 06:03:57 EST 2014
> Steve Cottrell wrote:
>
>> On 23/1/14, Bruce Walker, discombobulated, unleashed:
>>
>> >Were it I shooting video, I'd meter the scene and set the camera on
>> >manual at that setting. There's nothing more annoying than having the
>> >exposure changing throughout some footage. That goes for WB too.
>>
>> That's the way we do it. However, panning or tilting through from (say)
>> dark to bright areas of subject sometimes means one has to pull some
>> stop. Not a problem. Pulling stop, zooming *and* focus all manually and
>> at the same time can take a couple of goes. Not a problem though.
>>
>
> Sure, - but that's for when you are doing a "planned" shooting, and when
> you have a VIDEO camera, i.e. a camera that is designed (as opposed to
> _adapted_) for shooting videos. I don't know about K-3, but K-7 and K-5
> are not in that league.

Don't dismiss your DSLR as a high quality video tool so quickly.
Entire broadcast quality television programs have been shot using
DSLRs (eg "House" with Canon 5DmkII's).

I see a lot of indie movies at festivals and when you check the
credits, 9 out of 10 of them are shot on DSLRs these days. A few on
film, some REDs, but largely DSLRs. Put one on a rig, add a big focus
knob/gear doohickey and you can be shooting prfessional video.

-- 
-bmw

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