Fri Jan 24 15:04:15 EST 2014
Bruce Walker wrote:

> On Fri, Jan 24, 2014 at 12:52 PM, Igor Roshchin <str at komkon.org> wrote:
> >
> > Fri Jan 24 06:03:57 EST 2014
> > Steve Cottrell wrote:
> >
> >> On 23/1/14, Bruce Walker, discombobulated, unleashed:
> >>
> >> >Were it I shooting video, I'd meter the scene and set the camera on
> >> >manual at that setting. There's nothing more annoying than having
> >> >the
> >> >exposure changing throughout some footage. That goes for WB too.
> >>
> >> That's the way we do it. However, panning or tilting through from
> >> (say)
> >> dark to bright areas of subject sometimes means one has to pull some
> >> stop. Not a problem. Pulling stop, zooming *and* focus all manually
> >> and
> >> at the same time can take a couple of goes. Not a problem though.
> >>
> >
> > Sure, - but that's for when you are doing a "planned" shooting, and
> > when
> > you have a VIDEO camera, i.e. a camera that is designed (as opposed to
> > _adapted_) for shooting videos. I don't know about K-3, but K-7 and
> > K-5
> > are not in that league.
> 
> Don't dismiss your DSLR as a high quality video tool so quickly.
> Entire broadcast quality television programs have been shot using
> DSLRs (eg "House" with Canon 5DmkII's).
> 
> I see a lot of indie movies at festivals and when you check the
> credits, 9 out of 10 of them are shot on DSLRs these days. A few on
> film, some REDs, but largely DSLRs. Put one on a rig, add a big focus
> knob/gear doohickey and you can be shooting prfessional video.
> 

I know. I've seen as an educational/documentary movie was being shot 
using a Canon DSLR.

What I was talking about is that K-5 is missing certain capabilities,
e.g. possibility to change the aperture once recording is happening.

And as for myself, - most of the time I don't have the opportunity 
(and the desire) to deal with a rig, etc.

Cheers,

Igor


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