To the extent I have a photo ideology, it’s “make the picture look
like what I saw” and the Fuji does an amazingly good job of that out
of the box, whereas with my Pentaxes up through the K-5, I often have
had to tweak the WB to achieve it.  Pretty well the only time I touch
it with the Fuji is with weird indoor light that’s hideously yellow or
blue or whatever.

On Tue, Apr 15, 2014 at 6:38 PM, Bruce Walker <[email protected]> wrote:
> So you always accept the WB that the camera hands you? A so-called
> accurate WB is not necessarily what a given scene calls for in the
> final rendered shot. You would not be tempted ever to add warmth or
> coolness for artistic reasons?
>
> I do, all the time. I would never accept that I can only use JPEG out
> of a camera. I don't care what the SooC cult thinks.
>
>
> On Tue, Apr 15, 2014 at 9:12 PM, Tim Bray <[email protected]> wrote:
>> Well, they do look pleasing to the eye.  In particular, the X-cams’
>> auto-white-balance is frighteningly good, I basically never go near
>> that control in Lr, and WB correction is one place where you can fix
>> things in RAW that you just can’t in JPEG.   But yeah, I don’t find
>> the idea tempting either.
>>
>> On Tue, Apr 15, 2014 at 5:48 PM, steve harley <[email protected]> wrote:
>>> on 2014-04-15 18:17 Tim Bray wrote
>>>
>>>> Alternately, all the Fuji X-cam reviews say they make JPEGs that are
>>>> really excellent, to the extent that RAW might be superfluous.  So
>>>> maybe no big deal.
>>>
>>>
>>> i often see this kind of statement (not just for Fuji), and i am puzzled —
>>> in what world would an 8-bit lossy image always be rendered just how i'd
>>> like, to the point that i would never want the latitude that a 14-bit raw
>>> file gives? even if the rendering is very good, how would the camera guess
>>> what i wanted to do with the image?
>>>
>>> or is it an exercise like shooting slide film — you have to practice until
>>> you shoot with the specific rendering traits in mind?
>>>
>>>
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>
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