Not that I disagree with the bulk of your sentiments here -- I said
much the same to my wife at dinner about admiring the guy's marketing
skills -- but you appear to be stating that "photographs" effectively
cease to exist once chemicals and negatives are out of the loop. An
idea I vehemently disagree with.

DSLRs, software and inkjet prints are all part of the new photograpy
and thus produce photographs.


On Sun, Feb 22, 2015 at 6:52 PM, P.J. Alling <[email protected]> wrote:
> The quote from the London Gallery owner is pretty telling, not so much about
> Lik, but certianly about the Art photography marked.  Let's see, Rhine II,
> wasn't exactly a photograph, it was a heavily Photoshopped inkjet, (Oh, I'm
> sorry, perhaps I should have used the word Gilcee instead of inkjet), print.
> Yet I'll bet that gallery owner didn't blink an eye when it sold for $1.3
> million.  From what I've seen of Lik's work it doesn't require eye bleach,
> (such as Thomas Kinkade's did).  It just seems that he's found a way to
> legally separate money from rich people with more money than brains without
> needing a middle man.  More power to him I say.
>
>
> On 2/22/2015 4:39 PM, Bruce Walker wrote:
>>
>> So is Lik's work resellable for a lot of money? Apparently, not so much.
>>
>>
>> http://www.nytimes.com/2015/02/22/business/peter-liks-recipe-for-success-sell-prints-print-money.html
>>
>
>
> --
> I don't want to achieve immortality through my work; I want to achieve
> immortality through not dying.
> -- Woody Allen
>
>
>
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