Eric,

If you want something that will be happy floating naked in a swamped canoe, get 
almost anything in the WG series, new or used.

Also take your K-5, and leave it in a dry bag unless the water is calm or 
you're on shore. The 16-45, splendid though it is, is not water resistant; nor 
is the original 50-200.

FWIW, my standard travel kit is the K-5, the 16-45, the 50-200, and the 10-17 
fisheye. I have about a dozen other lenses but don't use them for travel. I 
only take the K-5 out in the canoe when the lake is calm.

Rick

On Aug 6, 2015, at 6:46 PM, Eric Weir wrote:

> Thanks, Bipin. I appreciate your comments about the need for a wide angle. 
> It’s what I gravitate to anyway, though I do not have what I’d really like to 
> have. The Sigma 10-20 is very appealing. 
> 
> I hadn’t thought about the K-5 being waterproof. But it’s not damp weather 
> for which I need a waterproof camera. I’d like something compact that I could 
> take whitewater canoeing, where it’s given that, one way or another, your 
> boat will get swamped, likely more than once, during the day. I need 
> something I could hang on a thwart and not worry about it getting too wet 
> when the boat goes upside down.. 
> 
> Regards,
> 
> Eric
> 
>> On Aug 6, 2015, at 10:53 AM, Bipin Gupta <[email protected]> wrote:
>> 
>> Hello Eric, you already have a waterproof camera the legendary K-5.
>> Perhaps you might want to add a WR lens as well for your memorable
>> Italian holiday. And the K-5 is pretty compact too.
>> Here is a best fit lens based on our 22-day trip to Europe (some
>> 6-days in Italy) in 2011, considering the narrow streets, mighty
>> monuments, tall structures, spires and expansive piazzas.
>> The 18mm end on our Pentax 18-135 WR lens was just not wide enough to
>> cope with the scenes. Imagine our horror when landing up at the Trevi
>> Fountain in Rome sourrounded on three sides by narrow streets. There
>> was just not enough space to back up in the crowded streets for that
>> memorable scene we see in the movies.
>> 
>> a) Sigma 10-20 lens where the maximum use will be around the 12 to 14 mm end.
>> b) Tamron 17-50/2.8 Lens. A brutally sharp work horse used 40% of the time.
>> c) Pentax 55-300 HD WR - finds only about 8% use. This one can be left
>> home if you are short on space.
>> 
>> Regards.
>> Bipin.
>> 
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> 
> ------------------------------------------------------------------------------------------
> Eric Weir
> Decatur, GA  USA
> [email protected]
> 
> "Imagining the other is a powerful antidote to fanaticism and hatred." 
> 
> - Amos Oz
> 
> 
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