Flavio Minelli wrote:
This until I got a SMCK 24/2.8, now I think I'm addicted. 28mm FOV seems to 
generate in me about the same reaction it does in Stan..."blah". ... 24mm rules! 

Indeed, when they were introduced, the 24s were snapped up by professionals because 
every serious amateur had acquired a 28mm lens and the pros needed something to let 
their prints look different.

It's also interesting how many photojournalists, in the days of primes, seemed to use 
a 24 as their wide-angle lens. With its expansive field of view, it allowed them to be 
in the thick of action and shoot away when there was neither time nor room to pull 
back. 

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