It's subtle but it's there, whether it's going to make a discernible
difference in a print for instance depends on crop size vs print size
I guess but it's a tool with very limited scope from my perspective
given the artifacts created when there is any movement in the frame.

I have yet to test but I would assume that similar results would be
gained by shooting a series of four images using the high speed mode
then combining them in LR or some similarly capable package, there
would be sufficient camera shift between each shot to create a similar
effect I expect.

On 25 October 2015 at 03:51, John <[email protected]> wrote:
> The lettering on the wire appears (to me) a tiny bit crisper in the
> pixel shift version.
>
> On 10/23/2015 12:01 AM, Alan C wrote:
>>
>> Am I missing something? Can't see a difference.
>>
>> Alan C
>>
>> -----Original Message----- From: Darren Addy
>> Sent: Thursday, October 22, 2015 11:04 PM
>> To: Pentax-Discuss Mail List
>> Subject: A side-by-side Pixel Shift Resolution comparison with 77mm
>> Limited atf/11
>>
>> My K-3II arrived today and so I had to try out the Pixel Shift
>> Resolution during afternoon break. Found an obliging dusty rack of
>> electrical wire that agreed to serve as my subject. The 77mm f/1.8
>> limited is a very sharp lens (as anyone who has one will tell you).
>>
>> What you see in the link below is an image blown up to 100% (actual
>> pixels). Each is an 863 pixel x 994 pixel crop of the full 6016 x 4000
>> pixel image.
>>
>> Conditions: Same exposure (2 sec. f/11, ISO 100) focused manually,
>> shutter fired with the 12 second self-timer. The only thing that
>> changed between shots was that I turned on Pixel Shift Resolution
>> (without moving anything). On the left is a standard out of camera
>> JPEG and on the right the JPEG produced with Pixel Shift Resolution.
>>
>> Click on it with your browser cursor to see it at 100%:
>> http://www.antiqueauto.org/assets/PSRComparison.jpg
>>
>> At least for cooperative subjects, it looks (to me) like all my lenses
>> just magically got significantly better.
>>
>
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-- 
Rob Studdert (Digital  Image Studio)
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