Thank you very much, Malcolm!

As with anything, I find that the more I work with light the better I
understand it. I also find that when I study how to best use ambient
light it helps me to see how best to work with studio strobes and
modifiers, and vice-versa.

It's a trade-off: I have simplified my kit to two primes (a normal and
a "portrait") so I can concentrate on lighting and posing (and model
interaction) and not fussing with the camera. And I have restricted my
subject matter a lot too, I suppose.

Anyway, my point is that considering how important light is to great
photographs, I think everyone should spend more time focussing on
perfecting it. It's not so very difficult, you know. :)


On Wed, Nov 11, 2015 at 7:59 AM, Malcolm Smith <[email protected]> wrote:
> Bruce Walker wrote:
>
>> Molly Fassbender has a fascination with self-portraits, so I brought my
>> little collection of vintage cameras along to our shoot last Thursday.
>>
>> https://www.flickr.com/photos/bruce_m_walker/22923705145/lightbox/
>>
>> 645Z, DFA645 90mm f:2.8 Macro, f:11, 1/125th sec, 100 ISO, handheld.
>>
>> One light: Buff 86" extreme silver PLM boomed directly overhead.
>>
>> Model: Molly Fassbender
>> Hair & makeup: Judi Willrich
>
> There's much to like here. It's striking image, an unusual but well thought
> out composition, and as usual, the lighting is spot on.
>
> I looked at a local gallery display recently of portrait photography by a
> large number of different amateurs, and you could instantly spot those who
> had and understanding of the subtle and suitable lighting. A look at the few
> I have taken over the years, reveals I'm in the 'have not got the
> understanding' category.
>
> Malcolm
>
>
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