Thanks again. I have some work to do with viewscan (which I use with B&W 35mm scans) but I think I have thing together for digital and medium format scanning (done with Nikon scan.) When I tone B&W film shots I convert them to RGB and I convert all of them to RGB for web display.

Mark

On 5/1/2016 2:00 AM, Godfrey DiGiorgi wrote:
Happy to help.

If you're going to work in pure B&W, the defaults—Dot Gain 20%, etc—all work 
well, presuming that you've captured the entire dynamic range that the exposure has 
to offer.

I do all my processing with LR these days, which promotes everything to 16bit 
per component and ProPhoto RGB. This is useful since I often add a light bit of 
warm 'toning' to my images.

As Paul said, the Epson print drivers do a good job printing directly from ProPhoto RGB to 
B&W. You can also add the warming tones with the Epson print driver using its "Advanced 
B&W Mode" printing workflow, but I like to display my photos with the warming tone on 
flickr et cetera.

G



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