Good stuff, pretty much what I do, which is no surprise since Godfrey taught me 
color management and workflow many years ago. My only difference is that I save 
almost all files as 16-bit Prophoto. Storage is cheap.

Paul via phone

> On Apr 28, 2016, at 3:14 PM, Mark C <pdml-m...@charter.net> wrote:
> 
> Thanks for this Godfrey.
> 
>> On 4/28/2016 2:40 PM, Godfrey DiGiorgi wrote:
>> - sRGB was designed to model the better computer displays of the 1990s.
>> 
>> - AdobeRGB (1998) was designed to model the color-offset printing equipment 
>> available in that same time period.
>> 
>> - ProPhoto RGB was designed in the early 2000s to model the maximum color 
>> space achievable with a 16-bit per component digital sensor.
>> 
>> With that in mind:
>> 
>> - Calibrate and profile your system's display to allow it to be used as a 
>> reference when adjusting your photographs, and to promote accurate 
>> translations to other displays and printer needs.
>> 
>> - Use ProPhoto RGB to edit images in 16-bit depth In order to minimize 
>> round-off errors in editing.
>> 
>> - Convert images to AdobeRGB or sRGB before converting to 8-bit since both 
>> of these color spaces can be fully represented in 8bit numbers.
>> 
>> - Use AdobeRGB when a client or a print service requires it on your 
>> outputted image files.
>> 
>> - Use sRGB for any other photo sharing on computers.
>> 
>> - Allow your image processing software and a fully color-managed printing 
>> workflow to take your images directly from their final, edited, 16-bit 
>> ProPhoto RGB form to whatever your printer requires for best printing 
>> fidelity. The goal should be as perfect a match on paper to what you see on 
>> screen in the editing environment. This applies to standard and wide gamut 
>> displays alike.
>> 
>> G
> 
> 
> 
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