Chris Brogden <[EMAIL PROTECTED]> wrote:

Does anyone want to explain to me why it's so great that the MZ-S's flash
will cover 24mm instead of 28mm if none of their 24mm lenses can be used?

Chris,
As I understand it, there are two causes for flash vignetting: The light 
doesn't disperse wide enough, and a long lens blocks the light. My guess is 
that with no lens attached, the built-flash will cover 28mm at a 1-stop 
loss and 24mm at a 2-stop loss. On the other hand, all of the lenses you've 
named are longish, and it's possible that a stubbier 24 or 28 will work 
just fine--or with only the vignetting component caused by inadequate flash 
coverage (1 to 2 stops).

On my recent shoot of a Bat Mitzvah dance, most of my dance shots were shot 
with a Pentax SMC 35/2K and a powerful hotshoe flash set to 35mm coverage, 
the widest the unit could go without a diffuser. Well, before installing 
the 35 I took one shot with my Vivitar 28/1.9K and a Sto-Fen Omni Bounce 
diffuser (http://www.stofen.com). What a difference that Omni-Bounce made! 
It lit up every corner, near and far, providing the even illumination of 
"available light" with the f/5.6, 1/125 second sharpness of flash.

I realize you can't use a diffuser on the built-in flash. I agree that it's 
deceptive to call the built-in flash coverage 24mm when only short prime 
lenses will work, and possibly with some vignetting.

It reminds me of the ploy seen in the ratings of cheap powered 
loudspeakers: "30 to 18,000 Hz"...with a -9 dB rolloff at the extremes. Or 
"200 watts per channel"...at 5% distortion.


Paul Franklin Stregevsky
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