OK, Fred, that would explain why the Super-Tak draws raves but not the 
50/1.4K. I wasn't aware that anything changed during the Tak period other 
than coatings and focusng rings.


Fred <[EMAIL PROTECTED]> wrote:

I'm a little skeptical about there being any significant optical difference 
between the SMC "K" 50/1.4 and either the S-M-C Tak or
SMC Tak 50/1.4's - I've found them to be essentially identical (although 
this is not the studied result of extensive testing).
It is my impression that, in the evolution of the Pentax 50/1.4 lenses, 
there were/are three basic designs:

1. The first Super-Tak.
2. The second Super-Tak, the S-M-C Tak, the SMC Tak, the SMC "K",
and the M.
3. The A, the F, and the FA.


Paul Franklin Stregevsky

(who is up past midnight editing the Bat Mitzvah and school-play photos 
while his family cavorts in Disney World)
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