Artur wrote:

> It's amasing how easily Z-1p has fallen from the very top to the very
> bottom...


Actually, the Z-1 and the whole Z-series has been controversial since this forum 
started.
The Z-series was direct reason as to why Pentax dissapeared from the slr map. It's 
predecessor, the SFX, sold well in fact. The F-series of lenses sold in 2-3 years time 
the same amount as the FA series need almost 10 years to achieve reflecting camera 
sales. Pentax slr sales flopped with the Z-series. To me it's no wonder. In the early 
90's the big switch to AF occured. Nikon didn't have USM and VR by then. However, with 
a Pentax camera series that from the specification sheet had identical specifications 
as other slr line-ups (Nikon, Minolta, Canon), paired with forgettable looks, not 
single users switched to Pentax because everything could be had elsewere. The Pentax 
users who wanted AF found out that if they wanted the AF to actually work they needed 
new lenses anyway. And Pentax didn't have many AF lenses at that point. Since a Pentax 
didn't seem much different from a Nikon or a Canon, and you needed new lenses anyway, 
why buy Pentax again?  The remaining Pentax user base, which by now consisted mostly 
of the conservative users (as the rest had mostly dissappeared), felt aliented by the 
plastic blobs of the Z-series and hence were reluctant to buy into them. A significant 
numbers of those who actually gave in and eventually bought the Z-1p were dissapointed.
THis has really nothing to with how great or nice Z-1p is. It simply dissapeared in 
the marketplace and I doubt any amount of marketing could have save it. 

Now the Z-1p is simply and old, outdated camera. I cannot but noticed that those who 
slam the MZ-S are those who read (parts) of the specification sheet. But have you 
actually used one together with a Z-1p? I have side by side and there's simply no 
camparison. The MZ-S is a much better beforming camera in any way. In spite of 2.5fps 
rate you get more keepers because the AF can actually cope. Nor do you have to focus 
and recompose like on the one AF point on the Z-1p, something impossible with true 
action. Not only do the mZ-S feel much better; it feels much smoother, almost like 
comparing a luxury car to crude truck. As far as I can remeber, everyone on this forum 
who has actually replaced or the added the MZ-S to their Z-1p prefer the former. 


P�l
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