List,

 

I hope Jon soon finds time to unpack that post, but in the meantime I'll
make my own attempt to answer the questions provoked by Lowell 2.6. I should
perhaps mention first that I'm posting all these things in HTML format, and
anyone who's trying to read them with a mail app that doesn't handle HTML
will not be able to see the "blackboard" diagrams that Peirce is referring
to throughout. To see them, you'll need to either change the settings in
your email reader or read the version of Lowell 2 on my website instead.

 

In 2.6, the point of the "experiment" is "to get an insight into how the
scroll represents" this kind of conditional. The implication is that the
form of the "scroll" is in some way appropriate to its object, instead of
being arbitrarily assigned to that object.

 

For this experiment we need some "means of expressing an absurdity." Why do
we need that? I guess it's because we are dealing with necessary reasoning
here, which means we have to assume (without any reason for believing it)
that the given premisses are true - unless they are logically absurd; so
absurdity is the only way for a statement to be necessarily false. And it
seems we need a graph for falsity.

 

As an example of absurdity, Peirce chooses the assertion "everything is
true" - and even gives a reason for his choice. But now he wants it so serve
as the consequent in a scroll, and instead of simply writing the words in
the inner close, he represents it as a "blot" which fills up the area
enclosed by the inner cut. It makes a kind of sense, graphically, that if
the blank area is the place of assertion, the blotted (completely filled)
area is the place of absurdity or necessary falseness.

 

At this point the "experiment" resorts to a kind of magic trick: Peirce
makes the blot disappear (gradually but completely) - yet falsity remains,
like the grin of the Cheshire Cat. According to Peirce, "This suggests that
the relation which the cut asserts between the universe of discourse and
what is scribed within it is simply that what is scribed within is false of
the universe of discourse." I guess we are to assume that this is true of
any cut, no matter how deeply nested within other cuts: the place of that
cut is a universe of discourse, and whatever is scribed on the area inside
the cut is false of the universe outside that cut. So we are being asked to
believe that (1) the area of a cut on the sheet of assertion represents a
"universe of supposition" (as Peirce said awhile back) AND that any graph
written on it is false of the universe represented by the sheet of
assertion; and (2) the area of the cut inside that cut bears that same
relation to the area of the cut within which it is placed - and so on, all
the way down.

 

Intuitively, this is not easy to swallow, at least for me; this
interpretation seems to be arrived at by sleight of hand on Peirce's part.
But apparently Peirce's argument follows the actual course of development of
EGs in his imagination: The meaning of the cut is derived from the meaning
of the double cut, i.e. the scroll. Roberts has a footnote which reads: In
Ms 650, p. 20, Peirce says "Before I had the concept of a cut, I had that of
two cuts, which I drew at one continuous movement" (as a scroll). That, I
presume, is why we started this exposition with the conditional de inesse.
Anyway, I'm still trying to see this feature of EGs as naturally "iconic."

 

Gary f.

 

From: [email protected] [mailto:[email protected]] 
Sent: 28-Oct-17 04:38
To: [email protected]
Subject: [PEIRCE-L] Lowell Lecture 2.6

 

Continuing from Lowell 2.5:

https://fromthepage.com/jeffdown1/c-s-peirce-manuscripts/ms-455-456-1903-low
ell-lecture-ii/display/13608

 

In order to get an insight into how the scroll represents the conditional
proposition de inesse, we must make a little experimental research. 

Thus far, we have no means of expressing an absurdity. Let us invent a sign
which shall assert that everything is true. Nothing could be more illogical
than that statement, inasmuch as it would render logic false as well as
needless. Were every graph asserted to be true, there would be nothing that
could be added to that assertion. Accordingly, our expression for it may
very appropriately consist in completely filling up the area on which it is
asserted. Such filling up of an area, may be termed a blot. 

Take the conditional proposition de inesse, "If it rains then everything is
true[":] 



That amounts to denying that it rains. But there is no need of making the
inner cut so large. Let us write 



or even 



This suggests that the relation which the cut asserts between the universe
of discourse and what is scribed within it is simply that what is scribed
within is false of the universe of discourse. 

Then we may interpret 



as meaning "It is false that it rains and that a pear is not ripe." But we
have already seen that this is precisely the whole meaning of the
conditional de inesse; namely that it is false that the antecedent is true
while the consequent is false. Thus, that which the cut asserts is precisely
that that which is on its bottom is not, as a whole, true. 

 

http://gnusystems.ca/Lowells.htm }{ Peirce's Lowell Lectures of 1903

https://fromthepage.com/jeffdown1/c-s-peirce-manuscripts/ms-455-456-1903-low
ell-lecture-ii

 

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