Carrol Cox <[email protected]>
Subject: Re: [Pen-l]

The fatuity of the Idea of Progress is a vital part of my attack on
thinking from the perspective of the present.

See: Michael L?wy, "Globalization and Internationalism: How Up-to-date
is the Communist Manifesto?"
Monthly Review November 1998

http://www.monthlyreview.org/1198lowy.htm

A key excerpt  :"In reality, it was Rosa Luxemburg's 1915 "Junius
Pamphlet" (The Crisis of Social Democracy) which was, for the first
time, clearly to pose the alternative socialism or barbarism as the
historic choice confronting the working-class movement and the human
species. It was only at that specific moment that Marxism broke
radically with any linear vision of history and with any illusion of a
"guaranteed" future. And it was only in the writings of Walter Benjamin
that would at last be found a critique in depth, on the basis of
historical materialism, of the progressivist ideologies that disarmed
the German and European working-class movement by drugging it with the
illusion that it could get by merely through "swimming with the current"
of history."

Carrol

^^^^
CB: Lowy also says in that article:






It would be wrong to conclude from all these critical remarks that the
Manifesto fails to go beyond the bounds of the "progressivist"
philosophy of history inherited from the Enlightenment thinkers and
from Hegel. Even while hailing the bourgeoisie as a class that has
revolutionized production and society and which has "accomplished
wonders far surpassing Egyptian pyramids, Roman aqueducts, and Gothic
cathedrals,"7 Marx and Engels reject any linear vision of history.
They continually emphasize that the spectacular progression of the
productive forces—more impressive and colossal in bourgeois society
than in all past civilizations—is bought at the cost of the
degradation of the social condition of the direct producers.

This is especially the case with those analyses that take account of
the decline—in terms of the quality of life and of labor—which
characterizes the condition of the modern worker compared to that of
the artisan and even, in certain respects, of the feudal serf: "The
serf, in the period of serfdom, raised himself to membership in the
commune ... The modern laborer, on the contrary, instead of rising
with the progress of industry, sinks deeper and deeper below the
conditions of existence of his own class."8 Likewise, in the
capitalist system of mechanized industry, the labor process itself
becomes "repugnant"—a concept borrowed by the Manifesto from
Fourier—it loses all autonomy "and, consequently, all charm for the
workman."9

Here we glimpse the outline of an eminently dialectical conception of
the historical process, in which certain types of progress—in terms of
technology, of industry, of productivity—are accompanied by
retrogression in other fields: in terms of social, cultural and
ethical life. In this respect as well there is importance in the
remark that the bourgeoisie "has resolved personal worth into exchange
value" and has left no other bond among human beings "than naked
self-interest, than callous `cash payment' (die gefühllose `bahre
Zahlung')."10
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