I have finally gotten around to seeing “Exit Through the Gift Shop”, 
which received New York Film Critics Online award for best documentary 
of 2010. Some critics see it as a mockumentary in the style of 
“Catfish”. The movie has been described as a satire on art world 
trendiness, one of my favorite topics. Since it also addresses the 
question of “truth and fiction” in documentary film—the chief obsession 
of Jane Gaines, the self-described Marxist film professor whose class on 
documentary film I dropped like a hot potato after finally realizing 
where she was going—I felt I owed it to myself to have a gander.

After weighing in on this highly regarded film that has a 98 percent 
Fresh rating on Rotten Tomatoes, I will say a few words about “Cinema 
Verite”, the HBO fictional treatment of the making of “An American 
Family”, the 1973 PBS documentary about the Louds of Santa Barbara. If 
cinéma vérité implies a detached fly-on-the-wall approach to its subject 
matter, then “An American Family” was anything but. As is the case with 
“Exit Through the Gift Shop”, you are dealing very much with a staged 
reality, even if director Banksy would never admit it as such.

full: 
http://louisproyect.wordpress.com/2011/05/01/exit-through-the-gift-shop-cinema-verite/
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