This shows tonight on WNET in NYC at 10pm. Check your local PBS station 
to see if it is being screened in your city. This is from the PBS website:

http://www.pbs.org/pov/fallencity/film_description.php

Even for a country historically plagued by earthquakes, the 2008 quake 
in the Sichuan province was devastating. Nearly 70,000 people were 
killed and thousands more were missing and never found, making it the 
deadliest quake in the country in three decades. The old town of 
Beichuan, home to 20,000 people, was reduced to rubble. Fallen City is a 
revealing account of contemporary China’s response to the disaster: 
Within a scant two years, the government built a new and apparently 
improved town close to the old Beichuan.

Fallen City is the haunting story of the survivors, whose grief over the 
past and anxiety about the future cannot be resolved in bricks and 
mortar or erased by cheerful government propaganda about "the new 
Beichuan." In today’s China, even the worst disaster can be an occasion 
for celebrating the country’s achievements and its anticipated great 
future. Yet in China, as elsewhere—and as movingly captured by Fallen 
City—suffering in the face of death and displacement follows a path 
determined more by humanity’s search for meaning than by the politics of 
the day.

--

The film is the first directed by Qi Zhao, whose last credit was 
executive producing "Last Train Home", about which I wrote:

“Last Train Home” is the latest movie that departs from the 
globalization-is-wonderful ideology of Thomas Friedman, Jagdish 
Bhagwati, and other prophets of neoliberalism. Some are fictional, such 
as “Blind Shaft”, a movie about miners forced to work in virtual 
slavery. Others are documentaries like “Still Life” that depict the loss 
of livelihood and ties to the land that the Three Gorges Dam posed.

Directed by a Canadian Lixin Fan, whose last film “Up the Yangtze” 
explored the same issues as “Still Life”, “Last Train Home” focuses on a 
single family whose life has been torn apart by China’s rapid 
industrialization.

Changhua Zhan and his wife Suqin Chen both work on sewing machines in a 
typical export-oriented factory in the Guangdong province. Each New 
Year’s holiday, they take a train back to their rural village to see 
their teenaged daughter Qin Zhang and her younger brother Yang Zhang. 
This is not as easy as it seems since there are far more people trying 
to get a ticket than are available. The train station is a sea of 
humanity with cops and soldiers trying to keep order. Although the film 
does not comment on why this is the case (it sticks to a cinéma vérité 
format), it strikes this reviewer as the likely outcome of a society 
that no longer places much emphasis on public transportation as it once 
did. (There are signs that this is beginning to change recently, but one 
doubts that it will have any impact on the poorer migrant workers for a 
while.)

full: http://louisproyect.org/2010/11/28/last-train-home/

I expect this to be a very important film.

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