Hi,
 
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=007&item=170015155602
 
http://tinyurl.com/kctrb
 
I have a gold Victrola No 4 reproducer that has what appears to be a ring that 
allows a No 2 mica to be held in a No 4 reproducer.  Does anyone have any 
information on these?  I will be happy to send a photo of mine, it appears to 
have been done a very long time ago.
 
Steve
From [email protected]  Sat Aug 12 13:10:26 2006
From: [email protected] ([email protected])
Date: Sun Dec 24 13:11:48 2006
Subject: [Phono-L] The Elusive Edison Victrola
Message-ID: <[email protected]>

Many years ago, I read an ad in a small, local trading paper for an "Edison  
Experimental Model Victrola." I did some pondering, and decided that the 
machine  must be an Edison Laboratory Model of some kind. I went to look at the 
machine,  and found an oak Edison C-250 that was full of records, most of which 
were in  their original sleeves. The machine also had a number of accessories,  
(record duster, 78 adapter, grease jar, etc.) There was a complete Edison 
record  drawer file, with the titles of the records contained in the  machine 
listed in the original owner's hand. There was a also a  second, complete 
record 
file set, with the heavy, white cardboard sheet on  which one was supposed to 
list the records in the machine, and another  full set of dividers. The owner 
was the grandson of the original owners. The  phonograph came out of a resort 
ballroom in the mountains of  Pennsylvania.
 
The machine had seen better days. The ignorant/thoughtless descendant of  the 
original owners had stored the machine in a cinder-block garage for a  number 
of years. The original casters were broken. This caused the heavy,  
record-filled machine to warp and sag. The record cabinet door wouldn't even  
close, 
when the machine was leveled. The grille was in tatters, but the  very last 
layer of veneer, in the front of the grille was still there. 
 
The owner wanted $600 for the machine. I could not stand to see a Lab Model  
lost forever, and offered him $300. The price I offered was still too high, 
but  I was determined to save the machine. The owner wisely accepted my offer. 
 
I brought the beast home with the help of a friend, and began to assess  what 
I had. I found a book of Edison's favorite recordings stuck between some  
records, and a few other tidbits. I replaced the casters with some incorrect,  
but functional ones, and watched the cabinet wobble from wheel to wheel,  like 
a 
drunk. 
 
My house was not air conditioned, so I decided to make the same Virginia  
humidity which had damaged the cabinet work for me. I pushed the rocking  
machine 
into an unused corner of a spare room. Then, I put strips of felt  between 
the top of the cabinet and the bottom of the lid. Next, I covered the  lid with 
a heavy towel. I then placed a piece of 1/4-inch thick plywood that was  
roughly the same size as the top of the lid on the towel, and centered  it. On 
top 
of the plywood, I placed four 25 pound bar-bell weights on the lid,  and left 
the machine to settle. While I waited, I carefully cut new backing  pieces for 
the grille, and glued them into place. I stained the back of the  grille, 
until it was hard to see the repairs, unless one knew they had been  made.
 
I waited, and waited. I removed the weights occasionally, to check the  
cabinet, and then replaced them. After three years, the cabinet settled onto 
its  
replacement casters. Elated, I grabbed the door to the record cabinet, which I  
had removed for reasons I can't recall, and screwed it into place. The  door 
would not close. I had not realized that the door was misshapen too.  It no 
longer fit the newly leveled machine. 
 
I considered using a skill saw. I also considered planing the door, until  it 
fit. I finally sighed in resignation, and dug around for sheets of heavy  
cardboard. I wedged pieces of cardboard from a shipping box into the places  
where the door and the cabinet made contact. When I was sure I had all of the  
deformed areas properly pried into place, I carefully, but forcefully banged on 
 
the door with my fist, until it closed with a grunt.
 
I waited, and waited. After several more years, the door began to close  more 
easily, but it still needed a nudge or two, especially during our damp  
months. I kept the machine' door wedged into place with chinks of folded paper, 
 
and cardboard for probably five years, altogether.
 
After almost ten years, all of the machine's cabinet parts lined up. There  
was a slight rise in the middle of the record cabinet door,  but this was hard 
to see without a straight edge.
 
A local dealer/collector, who was a friend, watched this process with a  
mixture of curiosity and amusement. When he finally saw the machine, sitting 
all  
nice and pretty on a level floor, he said, "How much do you want for it?"
 
I laughed and said, "You're crazy! No one is going to pay me for all of the  
time, sweat, and cussing I put into that machine."
 
He said, "I'll give you $500." 
 
I said, "Sold."
 
So much for "Edison Victrolas." 
 
Randy Minor

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