The No.4 reproducer was made for those who could not afford to update to the 
new Orthophonic machines so they could buy and enjoy the electrically recorded 
records.  
 

> From: [email protected]
> To: [email protected]
> Date: Thu, 1 Aug 2013 05:10:01 -0400
> Subject: Re: [Phono-L] The New "His Master's Voice" Instrument
> 
> The HMV 162 (and others) had a sheet metal "saxophone" horn - it ran down 
> to the bottom of the cabinet & then back up to the horn grille. There's a 
> photo on this page: 
> http://forum.talkingmachine.info/viewtopic.php?f=2&t=2906&start=10 ... 
> The 203 Re-Entrant horn was also made of sheet metal, which gave it a 
> high-frequency response advantage over the rough wooden Victor Orthophonic 
> type horns.
> 
> If you can access YooToob, search for the different model numbers & you 
> should find some demonstrations. Most seem to have had the No.4 
> reproducer, so they won't be quite up to the Orthophonic standard.
> 
> 
> ----- Original Message ----- 
> From: "Jim Cartwright" <[email protected]>
> 
> 
> > Was looking at a couple of HMV record sleeves that promote the just
> > introduced electrical recordings (though the term isn't used) & the
> > statement "Listen to the bass!" but instruments illustrated on one of the
> > sleeves are in rather small cabinets with horn openings no larger than
> > pre-Orthophonic Victrolas in comparable sized cabinets, especially the
> > "Table Grand Model (No. 127)" but also the "Cabinet Grand Model (No. 
> > 162)."
> > Could these have had somewhat larger folded horns that could come anywhere
> > near to reproducing the bass response of the earliest electrical 
> > recordings?
> > If not, how could the listener, "Listen to the Bass!" as the copy writer
> > admonished? (The other sleeve shows a large " 'Re-Entrant' Model (No.
> > 203)" with horn opening filling the entire front of the cabinet which 
> > would
> > probably be the HMV equivalent of the Victrola Orthophonic Credenza.)
> > What kind of horns, tonearms & soundboxes were embodied in the HMV No. 127 
> > &
> > 162 & how do these perform when playing earliest electrical recordings?
> >
> 
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