Are you warming your blanks before/during recording process?  How thick is
the diaphragm on the recorder?  Is there a gasket underneath it(i.e. between
the diaphragm and the body of the reproducer.   Is the diaphragm waxed in
place?  Does the little tube inside the reproducer neck move up and down
easily to help maintain a reasonably tight air path?  When you inspect the
cutter with a magnifying glass, does it look sharp and feel sharp?   

 

Nice blanks can be purchased from Shawn Borri.

 

Ron L

 

From: Antique Phonograph List [mailto:[email protected]] 
Sent: Wednesday, January 28, 2015 3:40 PM
To: 'Antique Phonograph List'
Subject: [Phono-L] Recorder Question & Edison Birthday Celebration
Invitation

 

As part of what has become Immortal Performance's annual Thomas A. Edison
Birthday Celebration on the 11th of February to which Central Texas antique
phonograph collectors are invited I am planning to record wax cylinders of a
few of Austin's very best jazz musicians.   However, results obtained with
an Edison Triumph Model B phonograph with end gate & unencumbered by
four-minute gearing, an 1890s 3 ft. conical horn & an Edison Recorder have
been disappointing.   The baby grand Steinway with conical horn pointing
right into lid was weak & a 'cellist playing quite loudly with end of horn
less than a foot from the instruments "f" holes was also very weak.   Only
with my head right at the mouth of the horn & singing loud in a quasi
"operatic" voice was I able to make a recording of suitable audibility.
The local antique phonograph repairman was able to acoustically dub a 78
played on a Victor VI using smaller horn pointing into the recording horn
with fair results.

 

The jazz musicians would probably include clarinet/saxophone/bass saxophone
(hopefully "channeling" Adrian Rollini, my favorite jazz artist), trumpet,
trombone, tuba & percussion with piano used if it can be recorded.   Would
like to have used a fine string bass player but am pretty sure his efforts
would not register at all.

 

Would anyone have suggestions for tweeking the Edison two-minute Recorder to
obtain optimum results?    Would anyone have an excellent recorder for sale?
Would anyone have old Dictaphone cylinders for sale which could be cut off &
shaved down to record on?

 

In the Edison "American Experience" documentary shown here on PBS yesterday
evening, an 1890s film clip was shown of a violinist playing into a
recording horn from at least a foot from its mouth.   Lionel Mapleson
recorded fragments of actual Metropolitan Opera performances between 1901 &
1903 on an Edison cylinder phonograph.

If the recorder Mapleson used was a weak as mine, he would have gotten
absolutely nothing even with his gigantic recording horn situated many yards
from the performers yet we know he caught an amazing lot.   Therefore, the
problem must be with my Recorder.

 

The Edison Birthday Celebration will begin at 6:00 P.M. on the 11th of
February 2015 & will take place at my home located at 1404 West 30th Street,
Austin, Texas 78703-1402.    My 'phone number is (512) 478-9954.   Please
let me know if you plan to attend.   It should be fun, especially if the
jazz musicians attend & I get the Recorder functioning properly!

 

Jim Cartwright

Immortal Performances, Inc.

1404 West 30th Street

Austin, Texas 78703-1402

(512) 478-9954

 

 

Jim Cartwright

IMMORTAL PERFORMANCES, INC

"Austin's Eclectic Used Record Store Since 1971"

1404 West 30th Street    Austin, Texas 78703-1402 USA

(512) 478-9954    E-mail: [email protected]

 

 

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