I'm reminded that when I visited the Sistine Chapel the man in front of me
in line was blind, white cane and all. He seemed to be as moved as the rest
of us.
----- Original Message -----
From: "Murray" <mur...@uptowngallery.org>
To: <pinhole-discussion@p at ???????>
Sent: Monday, January 14, 2002 2:21 PM
Subject: [pinhole-discussion] Alexis' debate of how and why.


> Hello:
>
> I'm deeply rooted in the 'how' first, before the 'why'. It's my nature to
> try and understand processes before I experiment with them, so thus far,
I'm
> mostly an 'armchair' pinholer (I spend alot of time planning great things
> rahter than doing them).
>
> I think there is some validity in this approach even in a more balanced
> case...
>
> I draw parallels among different artforms -
>
> To produce poetry of any depth, one has to learn the language
> ....vocabulary, grammar, style,
> etc, and study previous works.
>
> To produce music, one must learn and practice a great deal of mechanical
and
> theoretical matters before creating art. Someone once said of jazz, "you
> have to learn the rules before you can break them." Heretoo, one has to
> learn the language to 'speak
>
> Painting requires a mastery of technique to allwo the process or craft to
> deliver a feeling, rather than be an obstacle to expression
>
> Some people have told me "this is pinhole...just do it." I'm heading
> there...I just don't do well with a purely Edisonian approach (by gosh or
by
> golly results). I then don't know why something worked or didn't work.
>
> Getting to the 'why' part, I'm practicing with an SLR right now, taking
> shots of things I want to do in pinhole...I feel like maybe if I can learn
> to 'see' composition conventionally, it will give me better pinhole
results,
> since composing them  is a 'blinder' approach.
>
> Speaking of blind photographers, which has been discussed here earlier,
> someone told me they met an artist recently who sold a painting to Stevie
> Wonder...I paused for a moment, trying to imagine what or how he would
> select, and she said that someone with him guided him and he selected one
by
> touching it. That was interesting, but that leaves us photographers out of
> the loop.
>
> Murray
>
>
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