Baru beberapa jam rombongan penari Cuba permohonan
suakanya, langsung mereka menari di Las Vegas. Berarti
langsung kerja.  Begitu pula sejak dulu imigran gelap
mendarat di pantai Florida, langsung diterima dan tak
berapa lama terima green card. Bandingkan perlakuan
kepada alians dari Mexico dan Tahiti umpamanya. 
Kenapa bisa begitu?

Selain karena alasan politik, ada lagi alasan yang
lain: orang Cuba mutunya jempolan.  Surat kabar Miami
Herald kepunyaan orang Cuba.  Di Florida mereka
menguasai usaha transportasi. Mereka jadi dokter,
lawyers, akuntan dan professi lain, you name it.
Mereka jadi penyanyi dan pemusik top.  Dan boleh
dikata mereka tidak ada yang jadi pengedar narkotika.
Tak heran dalam hal pendapatan per kapita, orang Cuba
adalah perkecualian dari orang hispanics lain.

Hola, como dija Usted, la luta continua?

Salam,
RM 

----------------------

November 16, 2004
Asylum Papers In, It's Back to Work for Cuban Dancers
By NICK MADIGAN
 
LAS VEGAS, Nov. 15 - Barely an hour after tendering
their applications for political asylum in the United
States, two dozen Cuban dancers were back on stage
here on Monday in sweatpants and leotards, stretching
and warming their muscles, rehearsing for their big
opening night.

"It's best to go right back to work," Nicole Durr, the
artistic director of the "Havana Night Club" revue,
said as she watched the run-through. "That's their
life."

In all, 43 singers, dancers and musicians defected,
victims, they said, of a harsh policy in Cuba that had
declared illegal their decision to perform in the
United States. One member of the troupe, who had
initially decided to defect, was on the fence on
Monday, and did not submit his 10-page asylum
application along with those of his colleagues at
federal offices here. 

An additional six members of the revue applied for
asylum to American authorities in Germany in September
and were granted entry visas on Monday. The paperwork
of a seventh was delayed. They were expected to fly
immediately to Las Vegas, in time to take the stage
for Tuesday night's opening of the show at the
Stardust Resort and Casino.

Citing family obligations, the remaining two artists
of the 53-member ensemble have decided to return to
Cuba after the engagement at the Stardust concludes on
Jan. 11.

Most of the other players were no less conflicted.
Daisy Alvarez, 32, a choreographer and dancer, said
during a rehearsal break that she had not yet told her
son, Giancarlo, 10, who remains in Cuba with
relatives, that their separation might last longer
than either of them had expected.

"Even though he's very mature, I had to be very
careful with him," Ms. Alvarez, who arrived hereon
Aug. 23, said. "What I told him when I called him was
that I was working very hard so that one day soon I
can bring him to this country to live."

It was the hardest decision she ever made, Ms. Alvarez
said. "In the end, I left my flesh and blood in Cuba,"
she said. "That's one of the risks we're taking with
this madness." 

Then, after thinking about it for a moment, she went
on: "It's not really madness - it's our reality. The
madness is that we really can't go back to Cuba now.
If we go back, we'll have no work. What would we live
on?"

Members of the company said they were warned by
officials from Cuba's Ministry of Culture this summer
that they would not be permitted to resume their
careers if they insisted on going to Las Vegas. Ten
performers decided to stay home.

The asylum applications were being forwarded to the
Los Angeles office of the Department of Homeland
Security. While federal officials do not normally
comment on pending applications, the process for the
performers will be made easier by a law that favors
Cuban immigrants above those from most other nations,
said Pamela Falk, a law professor at the City
University of New York, who has extensive experience
in asylum cases and is helping the troupe here.

Most of the cast members believe they will be able to
return to Cuba when the conflict between Fidel Castro
and the United States ends, or when Mr. Castro dies,
whichever comes first. In the meantime, the experience
of seeking residency in the United States is exciting,
they said, even though their home, for the moment, is
a motel that is not in the first rank of Las Vegas
establishments. 

"In Cuba, we were so accustomed to hearing all the
propaganda about the United States being a bad place,"
said Ms. Alvarez, who has appeared with the troupe in
17 countries since its founding in 1998. "But as with
any country, you've got to get to know it, both good
and bad."

Several of the company's musicians were given a tour
of music stores in Los Angeles and had their picture
taken in front of the Hollywood sign, although most of
the troupe has so far seen nothing of the United
States but Las Vegas and its other-worldly
attractions.

"This is like a planet inside a continent," Ariel
Machado, the group's manager, said as he stood in the
Stardust's Wayne Newton Theater, where the Cuban show
is to be presented. "It's a little crazy here, but I
think the group deserves to play in a place like
this."

Vivian Herrera, 26, a singer and the company's first
dancer, who was once a national gymnastics champion,
said many people in Cuba, including her family, might
not understand the performers' motivation. 

"A lot of people there have been brainwashed
politically," Ms. Herrera said. "The government has a
pretty solid base, and none of us have any idea when
that's going to change. Everything is unpredictable."



 (The New York Times)


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