Dear Sam

This might be sacrilege but.... 

Do you know that the Iris Proofer is producing proofs as good as the litho 
printer can achieve? Have you asked the litho printer to do a test machine 
proof to be certain?

Have you tried ignoring Euroscale settings and testing an "out of gamut" RGB 
to CMYK non-profiled conversion. Can you get more saturation that way? Your 
printer might do better than Euroscale if you give them the right and 
consistent proof. 

The only thing I can suggest if you are certain your system is producing the 
best possible file is to use Curves in CMYK to very intelligently boost 
contrast where you want it. 

Who is the printer? Are they known to run 5 colour? That could help too.

Yours

Bob Croxford


In a message dated 1/14/03 3:36:01 PM, starphoto  writes:

<< Hi fellow listees,

Can anyone offer any pointers to improve the saturation of a few images that
I am printing in CMYK for my book. I'm not wishing to open the profiling
debate again as I am fully aware of the benefits of this as I am sure are
most of the list, however, although my knowledge of CMYK is improving on a
day by day basis there are always certain prints that I produce that leave
me scratching my head for an answer. In this case high colour saturation in
blues that I am unable to get anywhere near in print, that is both in a sky
and in clothes. We are producing Euroscale V2 conversions in PS6 having
sometime ago gone down the route of adding the Binuscan CeMagYK separations
package to our Sinar Captureshop software (hence the profiling comment).
Unfortunately the conversations in CeMagYK have prooved somewhat
disapointing and so we have on a whole reverted to PS6 conversions which
print well on our Iris iProof printer but not in this case. So any knowledge
on improving or tweeking the conversions to improve colour saturation that
anyone is prepared to share would be welcome.

Thanks in advance.

Sam Moxon 
 >>

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