> Hi > > My name is Matt Mawson and I work within corporate and location > photography and am moving into high end digital, probably LEAF VALEO > 22. I use Hasselblad equipment. > > Most of my work entails shooting from the hip as it were and being > tethered to a G4 is impractical on the day. I shoot on the streets, in > factories, oil refineries, deserts, airport runways etc. In the past I > could match print and transparancy film to the circumstances. > > Is there anyone out there who does similar and inform me of the > pitfalls using digital under those circumstances. Post production would > be done in the hotel room. > > Many thanks > > MM > > =============================================================== > GO TO http://www.prodig.org for ~ GUIDELINES ~ un/SUBSCRIBING ~ ITEMS for SALE > I have a Cmost back that I am thinking of selling now after buying the EOS 1DS for similar reasons. I find the Cmost is still a superb back when twinned as I have with the Mamiya 645 afd, but when I looked into upgrading to Valeo I thought the whole affair was just too clumsy to carry around (funnily enough I now have an Ipaq on which the Valeo relies for LCD). Pixel count isn't everything though. I have found that the Cmost is superb for studio lit portraits with little artifacting and in some respects might even be a bit better than the EOS. On the other hand the versatility of the Eos in unarguable.
I have done a fair bit of post production work, not in a hotel room but on the G4 from remote locations and this is not problematic at all, except you'd find it useful to use a tablet. hope this helps, Hans Hans Staartjes London W5 3LS 44 (0)20 8992 1477 44 (0)7791527884 (m) http://www.hansstaartjes.com/commissions.html =============================================================== GO TO http://www.prodig.org for ~ GUIDELINES ~ un/SUBSCRIBING ~ ITEMS for SALE
