In message Sun, 30 Nov 2003, Rodolpho Pajuaba writes
My best bet would be repro it with a digital back, mounted on a 4X5 camera,
because you�ll need to find the best angle between the film plane, the print and
the source of light. Using the shifts of a LF it�s the way to go.�You can� cheat
with a DSLR, shooting obliqually and straightening the lines in PS, but it�s not
the same quality.


Dear Rodolpho

I think you have forgotten to suggest that if shooting it digitally rather than scanning, then the best results as far as lighting is concerned is to use polarizers on the lights and on the camera, having first got the optimum non glare situation otherwise any highlights go purple......not nice! (Well they would with film)

Cheers

Richard
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