<but the question did come to mind whether or not you embedded
<the AdobeRGB profile when you sent the images to the client ... thinking
<possibly, they opened the image with no profile defined, to which may have
<assigned their preferred Mac color space (e.g., colormatch).  This could
<have resulted in what they saw(?)
cheerios ... shAf  :o)

Thanks for the comments shAf,

The files I sent were imbedded with Adobe1998. I have read their submission
guidelines which states just to use 1.8 gamma and RGB.

>From what I now know from Thomas' reply that is not really a full
requirement is it?

Here is a snippet from their message:
------------------
<all your digital images are too light (burned - overlight) and too blue. I
<hope you will understand what I'm telling you ....

<our screen are all calibrated in color with our clients and printers and
<laboratory. We calibrate them each month. so our screen colors are correct.

<so you have to by a "sonde calibrator" (in french,I don't know the word in
<english) it's a small thing you put on your screan and it will put the
right
<light and the right colors. so all you images will be correct and suitable
<to be sold on our market. you screen must be calibrated GAMMA 1,8 with the
<color temperature at 6500 ° Kelvin or D65
------------------
As I stated, my monitor is calibrated. Is it possible that the "too blue"
could also have anything to do with this colour space difference?

What I don't understand is why, when they opened the files, they weren't
presented with a "different colour space" warning and then simply apply
their colour space instead of assuming that my monitor is up the creek and I
haven't a clue as to what I'm doing?

They have suggested they can "fix" my files for 4 euros each but I'm trying
to give them the benefit of the doubt that they really don't know about
colour spaces.

Paul




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