Re: [PRODIG] Kodak DCS Pro SLRn thoughts

[Michael Spillers]

Title: Re: [PRODIG] Kodak DCS Pro SLRn thoughts



I am new to the list as of yesterday. I have been an architectural photographer for 20 years. I shoot exteriors and a lot of interiors (office buildings, retail, public spaces, educational facilities, etc.) for architects, interior designers, lighting designers, builders, developers, engineers, etc. at all times of the day or night. I presently shoot film (some medium format but mostly 4x5) and then scan the film. I edit the files in Photoshop and deliver the images to my clients on cd. I am considering the purchase of a Pro SLR/n within the next month or so, so this thread is of great interest to me. I am planning on the new camera eventually replacing my trusty RZ.

I have heard of this fringing before but from the owner of a Canon, a 10D I think. It was described as a line like color shift where a mid- or lower tone directly bordered a very bright highlight - in this case a window filled with daylight. Is there anyway, or any where, I can see this fringing? Has this been associated only with digital capture or has anyone seen it in scanned film as well? How prevelant is this artifact?

Thanks,

michael spillers



on 3/24/04 4:11 AM, Steve Climpson at [EMAIL PROTECTED] wrote:

Nigel Andrews wrote

> Have you tried the chromatic aberration adjustment in the advanced
> section of PS Camera Raw?

 Briefly tried it with no luck.

 The fringing is highly localised (as described) and I'm not sure that adobe
raw would act on it. I would think that it applies a global correction.

Kind Regards

Steve

Steve Climpson





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