Hi Shangara.
>I didn't
>say �30k equipment produces boring images

Sorry , wasn't aimed at you personally.

>
>We all know it's the photographer's imagination plus technical knowledge
>that produce a quality photon graph. I just despair when people try to
>defend expensive equipment as if it were necessary to produce interesting or
>quality images 

Here I'm afraid we must differ . I love the D1s for what it is , but there is no way 
that it can compare with the Sinar 54 on some of the highly technical stuff , and for 
ultimate quality in terms of dynamic range , sharpness , lack of noise etc . I know 
this 'cos I'm running both systems side by side . This is not elitist , it's just a 
fact of life . 

>and deride the less expensive equipment,

didn't deride ,see above, the D1s is a great piece of kit and definitely has a place 
in the marketplace. But do I sense a little pixel envy here (BG) ?

> and the user by
>implication. 

Now you've lost me. If you are using a D1s to shoot highly detailed bottle shots with 
shift perspective for 96 sheet backlit posters as a matter of choice and irrespective 
of the cost of the kit , then I would question your judgement when more suitable 
equipment is available. Personally , we get very demanding clients and have to provide 
the best solution possible in all circumstances . That's why we have the Canons in 
addition to the Sinars.
>
>I've been taking photos since 1979, one way or another, mostly on >35mm, 645 >and 6mpx

Makes me feel ancient  (Shooting commercially since 1969 on all formats from half 
frame to 10x8)

 However, the majority of my experience is with beta, 16mm and 35mm
>motion image capture. Have to say, the same "snobiness" exists in the motion
>picture industry as the stills industry: 35mm users look down on 16mm and
>16mm  users look down on beta and beta users look down on stills (just
>kidding about the last!).

It's true . I used to direct TV commercials and hated stills photographers on set , 
even though I was one !

>One shouldn't dismiss photography done on 35mm, a D1s or even a D10 as fun,
>creative or lifestyle 

Don't recall using the word dismiss.Besides we have a D10 too. As you say ...horses 
for courses (see above)

>Henri Cartier-Bresson, to mention just three, is laughing all the way
>to the bank as his "crude" 35mm images sell by the millions!

Haven't seen any of his drinks campaign still life shots .

 While trillions
>of images shot on 6x6 languish in dusty drawers or have been consigned to
>the furnace or buried by the council.

Sorry , lost me again.

> And the mission of the dSLR? To go boldly where no Sinar
>dares!

Take ours everywhere . Last time to the Maldives where they greatly enjoyed themselves 
and didn't even get dropped once :-) . The Canon did get a liitle damp though.

Regards,

Bob Marchant.

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