http://news.kuwaittimes.net/2012/07/30/hardline-islamism-threatens-tunisia-democracy-gains/
Hardline Islamism threatens Tunisia democracy gains 
 
TUNIS: In this June 30, 2012 photo, Mohammed Moncef Ouerghi, who developed an 
Islamic form of martial arts called Zamaqtel favored by Salafis, twists the 
wrist of his assistant during an interview in his office. – AP

TUNIS, Tunisia: Thousands of hardcore Muslims chant against Jews. Youths 
rampage through cities at night in protest of “blasphemous” art. A sit-in by 
religious students degenerates into fist fights and the desecration of 
Tunisia’s flag. In the birthplace of the Arab Spring, the transition from 
dictatorship to democracy has been mostly smoother than in neighboring 
countries, with no power-hungry military or armed militias to stifle the 
process. But as a moderate Islamist party rules with the help of secular 
forces, an unexpected threat has emerged: the increasing boldness of 
ultraconservative Muslims known loosely as Salafis, who want to turn this North 
African country of 10 million into a strict Islamic state.

Tunisia’s hardcore Salafis are estimated to number only in the tens of 
thousands. But their organized and frequent protests against perceived insults 
to Islam, especially by artists, have rocked the country and succeeded in 
mobilizing disaffected and angry youth much more effectively than secular 
opposition parties. Experts warn that an economic downturn could turn these 
spasms of religious-tinged rage into the new language of the opposition. 
Tunisia’s economy shrank by 2 percent last year and unemployment stands at 18 
percent – even higher among young people.

“There’s no question that unemployment aggravates the situation,” said William 
Lawrence, the North Africa representative for the International Crisis Group 
think tank. “They go to Salafism because they have nowhere better to go 
socially, politically and spiritually.” As Salafis thrive in the new atmosphere 
of freedom of expression, they are aggressively attacking the free expression 
of those they see as insulting Islam. Their main target: artists who themselves 
have used democratic upheaval to raise sharp, often provocative, questions 
about the relationship between religion and society.
Tensions that were bottled during the regime of President Zine El Abidine Ben 
Ali are bubbling to the surface. A film called “Neither Allah nor Master” about 
secularism by an atheist director, an animated film portraying God as an old 
man that was broadcast on TV, and most recently an art exhibit dabbling in 
religious themes have all provoked the wrath of the Salafis. The Spring of the 
Arts exhibit in the wealthy Tunis suburb of La Marsa triggered June riots that 
left one dead and 100 injured. Many of the paintings questioned religion’s role 
in society, including some clearly skewering Salafis. There were images of 
veiled women hanging from punching bags in a boxing ring, veiled women buried 
in stones, and paintings of demonic bearded faces.

The Islamist-led government has tread carefully around Salafi demonstrations, 
conscious that they themselves were once victims of government oppression and 
fearful of further radicalizing the Salafis. That has exposed the government to 
accusations by the liberal and leftist opposition that they are unable to 
preserve stability, or even worse – complicity in the extremist violence. For 
Tunisian authorities, grappling with the Salafis is made all the harder by the 
fact that they have not coalesced into an articulate, united movement but are 
rather comprised of different groups, some which may even be under manipulation 
of secular remnants of the old regime. That contrasts with Egypt, where Salafis 
have formed political parties and participate in politics.

Salafis did not pop out of nowhere in Tunisia after the revolution. The 
movement grew quietly under Ben Ali, who vigorously repressed the moderate 
Islamists of the now dominant Ennahda Party, heirs to Tunisia’s own indigenous 
tradition of reformist Islam. Under Ben Ali, imams were appointed by the state 
and religious schools closed. Many of those alienated by the official secular 
culture of the French-speaking elite turned to the strict Salafi Islam of the 
Arabian peninsula. “They were influenced by the Salafi discourse coming out of 
the Gulf countries and diffused by the Salafi satellite channels all through 
the 1990s,” explained Slaheddine Jourchi, a Tunisian writer and human rights 
activist who has closely studied Islamist movements. “They saw the Salafi 
discourse as the most pure in Islam.”

With the fall of the dictatorship, Salafis are now free to spread their message 
to the rest of the country. One of the biggest flashpoints was Manouba 
University near the capital where conservative students and their allies staged 
a months-long sit-in protesting restrictions on the Islamic veil and lack of 
prayer halls on campus. They fought with secular students and in one case tore 
down the national flag and replaced it with a black one bearing the Islamic 
profession of faith. “Our movement benefits from the new climate of freedom to 
get out its message and preach to people,” said Bilal Chaouachi, a bearded 
theology student who describes himself as a follower of Salafi Islam and gives 
religion classes in his local mosque.

Redha Belhaj, head of the recently legalized Hizb al-Tahrir, or Liberation 
Party, which calls for the restoration of the Islamic Caliphate, said that 
Ennahda betrayed the country when it declined to enshrine Islamic law as the 
basis of all legislation in the new constitution. Speaking from his modest 
offices at the edge of Tunis’ medina, Belhaj claimed that Tunisians long for an 
Islamic state. “People want Islam as a solution, they want shariah as a system 
and a regime,” he said. “Ennahda deceived public opinion.” Belhaj does distance 
himself from the riots, such those in June, emphasizing that his party rejects 
violence of any kind. “They are all young and without education and lack 
understanding,” he said of the rioters, hinting that these youths were being 
manipulated into violence to make Islamists look bad.

For Tunisia’s secular-minded elite, the Salafis represent everything they fear 
with the fall of the dictatorship and the rise of Islamist politics. A rally in 
May by the group Ansar al-Shariah, or the followers of Islamic law, led by a 
veteran of the fight against the Soviets in Afghanistan, alarmed many 
Tunisians. Some 4,000 Salafis gathered outside the revered main mosque in the 
city of Kairouan to voice calls for an Islamic state, chanting about conquering 
the Jews and cheering speeches calling for an Islamic state.

Especially popular were four masked men performing martial arts moves known as 
Zamaqtel, a kind of Islamic kung fu. The discipline’s founder, Mohammed Moncef 
Ouerghi, developed the martial art during 16 years in Ben Ali’s prisons. While 
happy to be out of prison and enjoying the new freedoms, he was dismissive of 
Tunisia’s embrace of democracy: “Democracy was conceived of by humans, not 
Muslims, before the time of the Prophet Muhammad (PBUH) – if democracy is 
important, why is it not in the Quran?”

In many cases, people joining Salafi demonstrations may have been motivated 
less by piety than by a chance to loot or express dissatisfaction over a lack 
of jobs for young people. Some of the June rioters broke into shops and 
attacked courthouses and police stations. The Interior Ministry has also 
alleged that some of the rioters were being paid by wealthy businessmen loyal 
to the old regime. The La Marsa art exhibit violence appears to have been 
provoked by a former member of Ben Ali’s political party who had a grudge 
against the gallery unrelated to the exhibit. He snapped pictures of some of 
the more provocative paintings and showed them at a nearby mosque. He also 
uploaded them onto a Facebook page – along with some paintings that weren’t 
even in the exhibit – with captions condemning them as blasphemous.

Sami Brahim, an expert on Islamist movements in Tunisia who runs a cultural 
center right near the art gallery in La Marsa, expects the whole Salafi 
movement to subside with time because it is a cultural import funded by the 
Gulf states. Since the movement was nurtured under the oppression of Ben Ali, 
he said, it should eventually wither in the face of greater freedom of 
expression and debate. “Salafism doesn’t yet have the courage to take part in 
politics since from the beginning it hasn’t been an organized movement and it 
doesn’t have a very well elaborated discourse,” said Brahim. “It would just 
need a healthy atmosphere, real freedoms and a relatively successful economy 
for the Tunisian Salafi movement to be marginalized.” – AP


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