I understand your posission and you make a valid point, for me I am still on PT 
8 and I have found that quite a few people don't know concepts like this within 
PT and I hear so many mixes that are pumping extremely hard, for more than one 
reason of corse, but  by just considering a step like this, they  could perhaps 
open up their range of options to make sure that they are not overloading AAX 
busses when they could put one step in between as a safety net. 
  ----- Original Message ----- 
  From: Slau Halatyn 
  To: [email protected] 
  Sent: Friday, January 10, 2014 11:26 AM
  Subject: Re: PT related articul about gaining more head room in mixes


  I just wanted to point out that this article, like so many found items on the 
Internet, is a bit long in the tooth. Pro Tools has since moved to a 64-bit 
architecture. Of course, the salient point that one can simply turn down a 
master fader to decrease the bus output still applies. That said, many users, 
myself included, prefer to pull back the rest of the faders and keep master 
faders at unity gain. It's largely a matter of pure preference but I'd rather 
have more throw on all faders rather than keeping them around their least 
significant bits territory.


  Slau


  xxOn Jan 10, 2014, at 3:14 PM, Poppa Bear <[email protected]> wrote:


    Here is an artical I read last night after hearing an ingineer talk about 
using multable master busses inbetween tracks and aax busses to be able to gain 
more head room in the mix and control source signals better. 
http://www.soundonsound.com/sos/jun10/articles/pt_0610.htm


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