Yes, true :)

On Jan 10, 2014, at 3:44 PM, Poppa Bear <[email protected]> wrote:

> I understand your posission and you make a valid point, for me I am still on 
> PT 8 and I have found that quite a few people don't know concepts like this 
> within PT and I hear so many mixes that are pumping extremely hard, for more 
> than one reason of corse, but  by just considering a step like this, they  
> could perhaps open up their range of options to make sure that they are not 
> overloading AAX busses when they could put one step in between as a safety 
> net.
> ----- Original Message -----
> From: Slau Halatyn
> To: [email protected]
> Sent: Friday, January 10, 2014 11:26 AM
> Subject: Re: PT related articul about gaining more head room in mixes
> 
> I just wanted to point out that this article, like so many found items on the 
> Internet, is a bit long in the tooth. Pro Tools has since moved to a 64-bit 
> architecture. Of course, the salient point that one can simply turn down a 
> master fader to decrease the bus output still applies. That said, many users, 
> myself included, prefer to pull back the rest of the faders and keep master 
> faders at unity gain. It's largely a matter of pure preference but I'd rather 
> have more throw on all faders rather than keeping them around their least 
> significant bits territory.
> 
> Slau
> 
> xxOn Jan 10, 2014, at 3:14 PM, Poppa Bear <[email protected]> wrote:
> 
>> Here is an artical I read last night after hearing an ingineer talk about 
>> using multable master busses inbetween tracks and aax busses to be able to 
>> gain more head room in the mix and control source signals better. 
>> http://www.soundonsound.com/sos/jun10/articles/pt_0610.htm
>> 
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