hey Krister. you can do it that way. a lot of people do. but you can also play 
the part in in real time and then just fix up what you don’t want afterwoods. I 
have made some sequences for karioke people and actually what i did was to 
import the the original track in to tools, and just play the drum track along 
with the original track, in stages. then fix things up i did not like 
afterwards. as far as the rest of the track you can do similar things with the 
keyboard, or in my case, i used guitars, and a real bass guitar, as i’m not 
much of a keyboard player. so technically it’s not a proper midi sequence, but 
the methered of building the parts is the same how ever you go about it.
h t h.
Steve

> On 10 Apr 2015, at 6:16 pm, Krister Ekstrom <[email protected]> wrote:
> 
> Ok, thanks for the description. Now let’s see if my confused brain managed to 
> take in what you said in a propper manner: Sequencing is building parts of 
> drum tracks, right? Stupid question: You can not make patterns as such 
> because the song goes on in realtime, if you see what i mean, so if you build 
> up parts consisting of a few bars, you sorta have to know where in the song 
> the part you want is, right?
> Is this where you loop record?
> Sorry for asking all these confused questions.
> /Krister
> 
>> 9 apr 2015 kl. 23:29 skrev Scott Chesworth <[email protected]>:
>> 
>> Sequencing is building and arranging parts. Most often, it takes the
>> form of playing in drum parts on either a keyboard or a set of drum
>> pads, and then fixing up anything that needs to be tweaked if you're
>> not one of the super humans who can play software drums with as much
>> feel as people do on a real kit. Most people can't, there's no shame
>> in that, there's just major props to the guys who can. For an
>> experience closer to drum machines though, perhaps you could pick up
>> some loops or packs of grooves in MIDI format. All of the major drum
>> plugs come with shed loads of good grooves to use, but annoyingly,
>> they're usually in a custom format that's hard to get at. Still, might
>> be worth emailing XLN or any other manufacturer you'd be willing to
>> part up with some cash for to see whether they'd make an exception and
>> let you have access to the grooves once you'd purchased a license for
>> their plugin. If nobody bites or that's too much effort, there are
>> plenty of third party packs available with preview samples, Google is
>> your friend. Once you've got a selection of MIDI files to use, you'd
>> run those through whatever virtual instrument you were using for
>> drums, then just arrange the MIDI files on the timeline in the best
>> order to serve the song. If you spend some time learning basic rhythm
>> theory, you'll be able to go into the MIDI events list to tweak beats
>> and fills to make them your own even if you're not a great live player
>> without much hassle.
>> 
>> I'd be very surprised if anyone was willing to put time into a
>> tutorial on this from a blindness perspective, because really, there's
>> not much about it that's specific to blindness. It's like almost any
>> other skill in that the key is to get stuck in with what you have,
>> then practice over and over until taste and productivity start to
>> develop.
>> 
>> Scott
>> 
>> On 4/9/15, Krister Ekstrom <[email protected]> wrote:
>>> See confused question below:
>>> 
>>>> 9 apr 2015 kl. 20:40 skrev Scott Chesworth <[email protected]>:
>>>> 
>>>> PT isn't great
>>>> for loop arrangement, but again, the way around it is to learn to
>>>> sequence
>>> 
>>> And here comes the stupid question of the decade, what's sequencing and how
>>> does one go about doing that in PT? I've used drum machines in the past, but
>>> i assume it's not the same nowadays. Has anyone done some tutorial about
>>> sequencing from a blindness perspective? Mainstream tutorials are well and
>>> good, but when it comes to clicking in places where VO won't go and so on,
>>> it can quickly be hard to learn.
>>> /Krister
>>> 
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