That was kind a what I was thinking.
Chris.
----- Original Message -----
From: "Poppa Bear" <[email protected]>
To: <[email protected]>
Sent: Tuesday, November 10, 2015 11:26 PM
Subject: RE: A question about bouncing
Honestly in all of the projects that I have been involved in over the last
twenty years that went to a CD duplication press or mastering house, wave
files, ADAT or a CD has always worked just fine.
-----Original Message-----
From: [email protected] [mailto:[email protected]] On
Behalf Of Christopher-Mark Gilland
Sent: Tuesday, November 10, 2015 7:15 PM
To: [email protected]
Subject: Re: A question about bouncing
I was honestly kind a wonderring that same thing, Nick, to be frankly
honest
with you.
Chris.
----- Original Message -----
From: "Nick Gawronski" <[email protected]>
To: <[email protected]>
Sent: Tuesday, November 10, 2015 10:48 PM
Subject: Re: A question about bouncing
Hi, That is strange that a CD duplication house does not want a master
disc as everyone I have looked at did as their view point was the master
disc had the exact layout of the duplicated or replicated discs that you
wanted to sell to users or that you wanted them to make for you for
whatever you were needing them for. I always burn my audio discs from
uncompressed wav files if possible. Nick Gawronski
On Tue, November 10, 2015 9:42 pm, Slau Halatyn wrote:
Pro Tools doesn't do DDP. The only accessible program on the Mac side
that'll do that is Wave Burner by Apple which is no longer available.
Slau
On Nov 10, 2015, at 10:21 PM, Christopher-Mark Gilland
<[email protected]> wrote:
Guys,
I'm not totally sure what he's talking about with this, but I promised
I'd ask.
A friend of mine who is right now, at least, exclusively a Reaper user
wanted to know if Protools has a way of renderring, bouncing rather, a
session out to a CD format. He said the format is called DDP. I'd
never heard of it, but is this something we could do?
Basically, he said a lot of masterring companies want you to send them
the material without using physical discs, as that can sometimes cause
errors, etc. So, he said usually, most companies will want a ddp of
each track. Then, they remaster things, and send you back a physical
disc glass master.
I just wonder if you all know anything about this, or perhaps if this
is something ProTools can do. He said if not, he finds that a major
setback of PT, as this is such a common thing to do.
Chris.
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