OK, so I definitely was on the right track.  I just didn't realize I had to 
make it it's own region.  It was just that one crutial step that I was 
forgetting.

Thanks, bro.  Greatly appreciate it.
---
Christopher Gilland
JAWS Certified, 2016.
Training Instructor.

[email protected]
Phone: (704) 256-8010.
  ----- Original Message ----- 
  From: Slau Halatyn 
  To: [email protected] 
  Sent: Wednesday, May 18, 2016 2:30 PM
  Subject: Re: Please talk me step by step through a very simple nudge.


  Chris,


  You have to split the audio into its own region. If you've already made the 
selection, capture the region with Command-r. It'll prompt you to name the 
clip. Once you've named it, use the nudge commands to move the clip. If your 
nudge value is set to a half a second, just hit the minus key to move the 
selected clip forward in the timeline. To move it later, use the plus key on 
the num pad. To change the nudge value, use Option-Command-plus or minus to 
cycle through the various denominations of values.


  If you want to avoid having to name the region, per se, you can navigate to 
the start point, split the clip with Command-e, navigate to the end point and 
split with the same command and then select the clip. Either way, you'll end up 
with the same result.


  Slau


  On May 18, 2016, at 1:38 PM, Christopher-Mark Gilland <[email protected]> 
wrote:


    So, I have a song I'm working on, and I made a little bit of a booboo.  
there is a part at the end of the song, Andy B, you'll know what I'm talking 
about with this, as this was the How Great is Our god recording I showed you... 
 LOL!  Anyway, here's what happened.

    At the end of the song, the backup singers are supposed to be singing 
harmoney behind me all being done accappella.  The issue is, there were a few 
places at the beginning of some of the phrases where I came in ever ever so 
slightly too soon.  It's not by much, but it's just a tad bit enough to be 
incredibly obvious.  So, for example.

    The line that is problematic says the following lyrics:

    How great is our God, sing with me...

    So what happened is, the whole entire part with the backup says:

    How great is our god, sing with me how great is our God, and all will see, 
how great, how great, is our god.

    When I started out that part, How great is our God was fine.

    Then, when I got to the part that says, sing with me, I started on the word 
sing a little too early.  So what you therefore get is me saying sing, and 
right about where I hit ing, of sing, the backup comes in with, sing.  So, it's 
only off by maybe about half a second.  After I sing the words, sing with me, I 
basically get back on track, no pun intended, and am in perfect timing with the 
backup singers.

    My ultimate goal is, I want to take that sing with me, and nudge it just a 
slight bit forward.  this way it sits in the mix properly and is better lined 
up.  This way instead of the backing slightly overlapping me, it's now totally 
snapped in sync.

    I know that the first step of this process is to be sure in my track list 
table that I only have my vocal track selected.  That's easy.  That, I know how 
to do no problem at all.  Next, I would then need to select where I say, sing 
with me.  OK, I get that.  I am perfectly good with knowing how that works.  I 
definitely fully understand how to go about selecting the section of audio.  
Now, once I get it selected, hit space bar, and I hear just that selection, 
Sing with me, now's where I'm getting stuck.  I thought that I then just hit 
num pad plus or minus, to nudge it forward or back, but that isn't seeming to 
work.  That seems to be somehow menipulating my selection, though I can't quite 
place in what way.

    Do I first need to maybe take that sing with me selection and split it off 
into it's own region?

    Again, I'm trying to nudge it just a hair forward in the session.  Maybe by 
about half a second.  A second at most.

    In my edit window, I definitely do have my counter mode cluster set to 
mins: secs.  I don't know if my conductor track is on, nor how to turn it off 
if needed.  I don't think that's necessary, but, for what it's worth, I'm not 
sure.

    If someone could give me a hand, now that the audio's selected, what are 
the next steps I need to take, and what keystrokes do I need to hit?

    Chris.


    -- 
    You received this message because you are subscribed to the Google Groups 
"Pro Tools Accessibility" group.
    To unsubscribe from this group and stop receiving emails from it, send an 
email to [email protected].
    For more options, visit https://groups.google.com/d/optout.




  -- 
  You received this message because you are subscribed to the Google Groups 
"Pro Tools Accessibility" group.
  To unsubscribe from this group and stop receiving emails from it, send an 
email to [email protected].
  For more options, visit https://groups.google.com/d/optout.

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to [email protected].
For more options, visit https://groups.google.com/d/optout.

Reply via email to