That's the basic idea, yes.
> On Sep 20, 2017, at 3:07 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hello SAlau:
> 
> Thanks so much, so the sequence to do this task is as follows:
> 
> 1- Recording the Hole project on 1 track.
> 2- insert 2 or 3 tracks that has some extra reverb and delay according
> to my needs.
> 3- using my down and up errows firstly to remove unwanted coughs, breathing 
> etc.
> 4- copying each file from my original track to my other tracks that
> contain the reverb an ddelay.
> 5- bounce,
> is it ok, or do I need something else?
> 
> 
> 
> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> Hi Ramy,
>> In this case, there's no such thing as more or less professional. Either
>> approach is viable. It all depends on what is needed in the end and which
>> approach you feel more comfortable with.
>>> On Sep 19, 2017, at 2:09 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>> wrote:
>>> 
>>> Hi Slau:
>>> 
>>> Thanks so  much for this, but what is more professional, to put the
>>> reverb and delay on the track itself, or to put each fx ina Bus and
>>> insert it on the track wanted?
>>> 
>>> 
>>> 
>>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>> OK, this is a perfect example of how your approach will vary based upon
>>>> your
>>>> needs. You never mentioned that you'll be needing to export 100 files.
>>>> With
>>>> that in mind,it might be best to take the approach of keeping things on
>>>> one
>>>> track and exporting as needed. Still, you can even accomplish this with
>>>> multiple tracks as long as you have markers set to locations. In other
>>>> words, you can offline bounce two tracks from marker 3 to marker 4 where
>>>> the
>>>> first part of the audio is dry and the second half includes reverb or
>>>> delay.
>>>> If you set a range between markers 3 and 4 and bounce the track, you'll
>>>> have
>>>> a single file with material from both tracks. Otherwise, as I mentioned
>>>> earlier, you can do all of this on one track. Ultimately, the process
>>>> will
>>>> essentially be the same, that is, selecting a range and bouncing.
>>>> HTH,
>>>> slau
>>>> 
>>>>> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>>>> wrote:
>>>>> 
>>>>> Hi Slau:
>>>>> ok,  but, if I will put some waves on track 2, others on track 3, to
>>>>> change the reverb or delay, how can I export all in seprat files? I
>>>>> need to have like 100 file at the end, so, how will I export the 2
>>>>> long waves into  small tracks?
>>>>> 
>>>>> 
>>>>> 
>>>>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>>>> Hi Ramy,
>>>>>> 
>>>>>> You cannot split files while recording. You can punch in and out while
>>>>>> the
>>>>>> transport is engaged but that will be quite problematic. You can set
>>>>>> markers
>>>>>> on the fly by simply pressing the Enter key on the num pad. If you're
>>>>>> going
>>>>>> to do that, you'll want to set the preference for auto-naming markers.
>>>>>> To add reverb or delay to certain parts of the recording on a single
>>>>>> track,
>>>>>> you can do this in several ways. Each way has its advantages and
>>>>>> disadvantages. You can send the track's output to a reverb track and a
>>>>>> delay
>>>>>> track and automate the send mutes. Given that you're still new to Pro
>>>>>> Tools,
>>>>>> I wouldn't recommend going the automation route yet. You can also use
>>>>>> Audio
>>>>>> suite to apply such effects to specific sections of the track. You'd
>>>>>> have
>>>>>> to
>>>>>> make the selection (including space at the end for a reverb or delay
>>>>>> tail,
>>>>>> set the plug-ins' wet/dry balance (which you can preview) and apply
>>>>>> the
>>>>>> effect. You can also create a second and third track and move the
>>>>>> desired
>>>>>> clips onto the other tracks and apply reverb to one and delay to the
>>>>>> other.
>>>>>> Any clips on those tracks will have their respective effects while the
>>>>>> original track will remain unaffected. Again, one can do this in
>>>>>> several
>>>>>> ways and, depending on what is needed, one can take several
>>>>>> approaches.
>>>>>> For
>>>>>> example, if there will be future editing within the timeline,
>>>>>> splitting
>>>>>> the
>>>>>> tracks adds a complication that requires grouping of tracks in order
>>>>>> to
>>>>>> keep
>>>>>> things relatively lined up during the editing process. One needs to
>>>>>> consider
>>>>>> this when making the decision on how to proceed. Keeping everything on
>>>>>> one
>>>>>> track has its advantages as well but might require additional editing
>>>>>> of
>>>>>> voice overlapping reverb and delay tails. Before doing anything, do
>>>>>> yourself
>>>>>> a favor and duplicate the playlist on the track so that you don't lose
>>>>>> your
>>>>>> original clips.
>>>>>> Slau
>>>>>> 
>>>>>>> On Sep 19, 2017, at 3:45 AM, Ramy Moustafa
>>>>>>> <ramy.moustaf...@gmail.com>
>>>>>>> wrote:
>>>>>>> 
>>>>>>> Hi all:
>>>>>>> 
>>>>>>> as you asked me to do, I force myself to leave sonar, to use Pro
>>>>>>> tools
>>>>>>> 
>>>>>>> and, I can now learn by experience. studying, reading manual, etc.
>>>>>>> 
>>>>>>> but, in these days, am recording some small narration for very small
>>>>>>> stories, the narrator was recording about 2 hours, after he recorded,
>>>>>>> don't know what to do, I use this tecnic to split the lon gwave into
>>>>>>> small files:
>>>>>>> I use the down and up errows, to edit and remove unwanted gledshes
>>>>>>> etc.
>>>>>>> my only problem that I faced is that, the client needs some files to
>>>>>>> be with reverb and others no, some with delay etc.
>>>>>>> so, what I did to finish my task, is that after editing, I took my
>>>>>>> long wave to sound forge, on windows, and I split the long file into
>>>>>>> small waves as requested.
>>>>>>> 
>>>>>>> so my questions are as follows:
>>>>>>> 1- is there a way to split the waves wile recording? I mean putting
>>>>>>> markers so,  when I finish I can split all waves between marks into
>>>>>>> seprat waves?
>>>>>>> 2- can I add  effects to some of these files, others not, before
>>>>>>> exporting
>>>>>>> them?
>>>>>>> 3- one of my friends  told me that I can use the num 3 on the Keypad
>>>>>>> to make pause  and continue recording, so, pro tools will add marks
>>>>>>> while recording, is it good tecnic, is it professional?
>>>>>>> 
>>>>>>> Thanks
>>>>>>> 
>>>>>>> 
>>>>>>> --
>>>>>>> Ramy MoustafaSaber
>>>>>>> Music instructor @:
>>>>>>> Faculty ofmusical education
>>>>>>> Music arranger and Sound engineer @:
>>>>>>> Harmony Recording Studio
>>>>>>> https://www.facebook.com/HarmonyRecordingStudio.eg
>>>>>>> 
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>>>>>> 
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>>>>>> 
>>>>> 
>>>>> 
>>>>> --
>>>>> Ramy MoustafaSaber
>>>>> Music instructor @:
>>>>> Faculty ofmusical education
>>>>> Music arranger and Sound engineer @:
>>>>> Harmony Recording Studio
>>>>> https://www.facebook.com/HarmonyRecordingStudio.eg
>>>>> 
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>>>> 
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>>> 
>>> 
>>> --
>>> Ramy MoustafaSaber
>>> Music instructor @:
>>> Faculty ofmusical education
>>> Music arranger and Sound engineer @:
>>> Harmony Recording Studio
>>> https://www.facebook.com/HarmonyRecordingStudio.eg
>>> 
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>> 
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>> 
> 
> 
> -- 
> Ramy MoustafaSaber
> Music instructor @:
> Faculty ofmusical education
> Music arranger and Sound engineer @:
> Harmony Recording Studio
> https://www.facebook.com/HarmonyRecordingStudio.eg
> 
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