Hi all, since this seems to be a topic getting some traction I'll tell you all I can about owning a Console 1. I've been using it for 2 months now and I do like it a lot. There will be a large learning curve because it's an extremely visual unit but you can get by enough to make it work. The bottom line is you'll have to get lots of sighted assistance to set it up, especially if you're working through the UA console. Once it is set up you can save your settings and they will be restored when you launch it. The nobs are all continuous so you will never know where you are which is the biggest problem. You can't flatten out an EQ once you have turned a nob but you can bypass it with a button. The only way to get around this is to actually go back to a preset and come back in but of course you will have lost all of your settings. I strictly use this on input signals so I can quickly dial in some EQ and compression. If you're going to use it as a plugin directly on a track I believe it's not worth the trouble because it's quite time consuming to figure out where you are unless you have someone with you looking at the screen. As an input stage for using things like the SSL channel strip it will work well for 8 channels but it will take a while and some frustration to figure things out. It's not consistent mostly because you will never be 100% sure where you are when turning a nob. There are many menus to scroll through and you have to be super precise if you want to change certain menu choices. You can load a plugin but you won't know what you're loading. Furthermore, it's tricky to navigate the menu whereby you have to load it so as of now that's
super difficult to do. Lastly
there is a slight delay in the input stage which will be a problem if tracking live to a click. Be prepared for nudging the recorded tracks back a few milliseconds. The low latency has to do with using the UA as an IO going to your DAW but I'm not using it that way. I'm clocking the UA to my HDX so that's where a bit more latency will come from. I can definitely hear a very slight delay which may not bother most but it does bug me. As I said, it's very few milliseconds but it's enough for me to hear a slight flam against the click. I'm still happier using something like this rather than 8 separate pre's and the convenience is worth it. Also, if you're going to use this as a primary setup as in having 8 drum mic's with EQ, compression etc it will save all of those settings without you saving it. It does it automatically so wherever you left everything last is where it will be recalled unless you change a preset and go back to the original. In that case you will start out flat. I have lots of high end preamps and have used SSL, Trident, Neve etc and I can say UA and Softube are the closest I've heard to the original. The reason I stuck with it for 2 months is because of the sound and convenience. It would take equally as long to patch in 8 pre's, dial up a sound and bus them accordingly. This is all in one tiny unit, not to mention will save you 20K of outboard equipment. Of course with experience you can certainly get a great sound out of almost anything that's working properly but for the price point I gave this a shot and like the sound. If you get easily frustrated by things like getting thrown out of windows, your computer not giving you verbal feedback and sometimes having to tab in and out of screens you should wait on this until it possibly becomes more accessible in the future. I don't see that happening soon as I did write to them in Sweden expressing concerns over accessibility but they didn't seem very anxious to make that a priority.

--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Reply via email to