I can say based on their Elements plugins that accessibility in the PT plugin window is on par with Waves. If you don’t have their software manager, you’ll need a sighty to install the package, because it’s not a standard Apple installer. On the flip side, the manager software is easier to VO than AvidLink, and doesn’t require any sight after running the installer. As for their standalone editor apps, they’re 50% accessible. You can navigate controls and such, but the controls are geared toward looking at the waveform.
Not much help on Ozone specifically I know, but thought I’d share my experience with the way their software is. Basically a more surgical Waves. > On Jun 16, 2020, at 12:49, CHUCK REICHEL <[email protected]> > wrote: > > Hi Guys, > anybody using iZotope Ozone 9? > Music Rebalance looks to be a game changer and before proceeding on I wanted > to get some feedback from you guys first. :) > I do have a C|24 that i use for all the Waves and UAD and pt plugs and such > so if thats the only way to use "iZotope Ozone 9" let me know? > Thanks > Chuck > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to [email protected]. > To view this discussion on the web visit > https://groups.google.com/d/msgid/ptaccess/E36861BE-A366-4AE2-A6D2-22527F0F3318%40gmail.com. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to [email protected]. To view this discussion on the web visit https://groups.google.com/d/msgid/ptaccess/88652B40-2413-47A5-B20A-0605437D7586%40gmail.com.
