Times of India
 
_Shiva and Vishnu_ 
(http://timesofindia.speakingtree.in/spiritual-articles/faith-and-rituals/shiva-and-vishnu#)
 
By: Arun Ganapathy on Dec 11, 2011

 
Indian mythology is full of gods, heroes and varied characters. Each of  
them has many stories and versions about them and it’s all such a tangle that  
you tend to get confused about who is who and who did what to whom. But in  
Devdutt Pattanaik’s hands, the tangles are easily untangled, the confusion, 
 cleared; he has done just that in his two latest offerings, 7 Secrets Of 
Vishnu  and 7 Secrets Of Shiva.

7 Secrets Of  Vishnu

Vishnu’s first secret is to draw humanity’s attention to  ‘the spiritual 
reality within material reality’. Even Shiva, the world-negating  ascetic, ‘
needs to open his eyes’ to this, so Vishnu appears as Mohini, the  
enchantress and ‘is inviting spiritual reality to enter her rangabhoomi or  
playground, and join the leela or game of material reality’. 

Pattanaik  adopts the narrative within a story format of many Indian myths, 
and through the  stories of a small fish that approaches Manu, the first 
man, pleading to be  saved; and the tale of King Shibi, the dove and the hawk, 
he explains that too  much empathy can actually be bad. 

He next delves into the stories of  Vishnu’s avatars as Kurma the tortoise, 
Varaha the boar, Narasimha the man-lion  and as Vamana the dwarf, to tell 
us how Vishnu appeared in these incarnations to  put down the asuras — just 
when they were getting the upper hand on earth — and  in their battles with 
the devas. 

Pattanaik’s research has you constantly  running into surprises: The 
misconception that the asuras are villainous demons  is the “result of poor 
English translations of Hindu mythology in the 18th  century, which declared 
devas 
as good and asuras as bad”. 

To complement  the research are beautiful handicraft and poster art images; 
these are on the  left-hand pages with speech bubbles to explain the 
significance of each of their  parts; so understanding the text is easy. 

You will particularly like the  pictures of Vishnu’s 10 avatars that show 
the evolution from a Matsya or fish,  through Kurma or amphibian to Narasimha 
or beast to Vamana the man and the  striking resemblance they bear to the 
stages in the evolution of life on  earth.
Vishnu as Kalki is yet to come but when he does, conditions will have  
waned enough for the universe to begin anew. That’s the last secret in the book 
 
and Pattanaik’s reader-friendly storytelling of mythological tales makes 
you  look forward to his next offering. 

7 Secrets Of  Shiva

Shivalinga, writes Pattanaik, is at once, the self-stirred  phallus of the 
Tapasvin, the reverse flow of his semen, the burning of Tapa, the  endless 
pillar of fire and the form of the formless Divine. This is also Shiva’s  
first secret — the meaning of his linga beyond the conventional titillation of  
the phallic symbol. 

Pattanaik is best when sticking to mythology; when  he begins to draw on 
concepts in nature and psychology, his arguments are not  always well-founded 
and the generalisations are sweeping. While writing of Shiva  as Kaal 
Bhairava and of death, he goes on to say that “it is the fear of death  that 
makes 
animals migrate in search of hunting grounds”. Aren’t there other  reasons 
too, like changing weather conditions, the taking over of a pasture by  
another group, and the need to find food, you wonder. 

That, if any, is  the only flaw in a book in which Pattanaik doesn’t let 
you settle down; just as  he did in his first book, he engages you with 
interesting information. For  example, if you’ve wondered why a pot with 
dripping 
water hangs above the  Shivalinga in many temples, here’s why: “The 
dripping water from the hole in the  base ensures that Shiva does not slip into 
a 
trance, and that he is forever  gracing his devotees with his benevolent gaze.
” 

Shiva’s continual  indifference to worldly affairs, the attempts by Shakti 
to draw him into the  material world and his naiveté to the point of being a 
fool are the stories  behind Shankara’s secret and Bholenath’s secret in 
the third and fourth  chapters. Then come the stories of Shiva’s children, 
Ganesha and Murugan or  Kartikeya. Murugan’s falling in love with Valli, the 
daughter of a tribal  chieftain is the stuff of romance.

When you’ve read the final secret on  Shiva’s Tandava or the cosmic dance, 
you wonder how Pattanaik makes mythology so  accessible. I won’t tell you 
how, because that is Pattanaik’s secret; it’s worth  reading these books to 
find it out.

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