Very good, thanks!

Sent from my iPhone

> On Jan 9, 2014, at 17:16, [email protected] wrote:
> 
>  
> "Write it Sideways" site
>  
>  
> Freely adapted from :
> 101 Best Fiction Writing Tips
> 
> by Suzannah Windsor Freeman
> 
>  
>  
>  
>  
> 1. The premise of a novel has to get readers’ attention before they read a 
> word of the book.  -What is it all about ?  This needs to be clear on page #1 
> or no later
> than a few pages into the text and "clear" means exactly that, no confusion  
> possible
> on the part of the reader, everything understandable
>  
> 2. Something should happen immediately in your story that tells us  what the 
> story is about.
>  
> 3. Your protagonist can’t be easily satisfied. He needs to want something 
> badly
>  
> 4. In the opening scene, give your protagonist strong emotions with which we 
> can identify.
>  
> 5. The protagonist should fail many times before succeeding.
>  
> 6. Know everything about your characters’ backstories, but write about only 
> 10% of it
>  
> 7. Your characters’ names matter. Avoid names that have similar beginnings or 
> endings  -choose names with the greatest possible care, ask what most readers 
> will think when reading about Ivan or Sally or Beulah or Alphonse.
>  
> 8. Subplots are what put the meat on the bones of novel-length fiction
>  
> 9. Every sentence of your story must reveal character or advance action.
>  
> 10. Description assumes a point-of-view. Be clear about what that is. Then 
> find
> a  place to take a stand.
>  
> 11. Get your facts right first, don't make stuff up when there are facts 
> which people can check.  You can modify facts only  insofar as the 
> modifications are 
> scientifically plausible.
>  
> 12. As a chapter ends, where resolution would normally occur, a major new 
> complication is introduced, compelling the reader to read on. 
>  
> 13. Arrive late in a scene and leave early. No need to belabor setups or 
> conclusions in every scene.
>  
> 14. Think every scene through, make sure you have actually dealt with all
> major implications.
>  
> 15. In action scenes, vary sentence length and structure to increase or 
> decrease speed and excitement.  -in writing generally, mix it up. Short 
> paragraphs of only one sentence, then a long paragraph, then a paragraph of 
> three short sentences,  etc
>  
> 16. Sometimes the scenes you don’t want to write (because they make you 
> uncomfortable) are the scenes you most need to write
>  
> 17. Description works best when it’s not ornamental or seen from the eye of 
> God, but when it comes from a character viewpoint.
>  
> 18. Use simple words instead of deliberately choosing big words  -actually 
> big words can be perfectly OK,  but use long words sparingly and Very 
> Carefully
>  
> 19. To pick up a dragging plot, try changing a scene setting to a more 
> interesting location.  -or introduce new characters with new points of view 
> who want to solve
> an established problem
>  
> 20. Be careful of ‘bunny trails’—tangents that don’t enhance the story or 
> lead anywhere.
>  
> 21. Your main characters should develop dramatically in their identities, 
> relationships, thoughts and feelings.
>  
> 22. Instead of describing every character in detail, give each a 
> characteristic unique to him or her.
>  
> 23. Christian fiction maintains certain standards, but not everything can or 
> should be sanitized.
>  
> 24. Basically, while there may be rare exceptions, never use flashbacks
>  
> 25. Ask yourself what might make a hyper-critical agent put down [reject] 
> your manuscript.
>  
> -- 
> -- 
> Centroids: The Center of the Radical Centrist Community 
> <[email protected]>
> Google Group: http://groups.google.com/group/RadicalCentrism
> Radical Centrism website and blog: http://RadicalCentrism.org
>  
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Centroids: The Center of the Radical Centrist Community 
<[email protected]>
Google Group: http://groups.google.com/group/RadicalCentrism
Radical Centrism website and blog: http://RadicalCentrism.org

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