Ross Douthat and the Destruction of the New  Republic

 
 
Thoughtful essay by Ross Douthat about why the New Republic has  just 
imploded.
He seems to be essentially on target. Not that I know all that much  about 
New Rep,
but at least I have peered inside its pages now and than and have done  so
since about 1960.
 
There is something to add to what Douthat says, however. He implies   
-insists
may be a better word-  that the choice in opinion magazines has now  become
make money by pandering to people with a lot of it  OR  accept  fate that
while you may keep your head above water (or maybe not) the liberal  arts
and its values are a losing proposition because the reading public is  now
polarized between e-format and its mostly superficial outlook vs.
the mostly irrelevant realm of 'classic' print opinion journals (which may 
also be found in e-format but retain their -as if it matters- character) 
based on a Liberal Arts view of the world.
 
With all due respect, that kind of analysis   -to be kind to Mr  Douthat-
is not very perceptive. Those with less interest in Douthat's feelings  
might
say it actually is "stupid" but I choose not to go there.
 
What it takes is a vision of what could be and should be,  plus   -to refer 
to
the hoary old figure of speech-  having printer's ink in your  veins
instead of the more customary alternative. That is, any kind of  successful
journalism requires passion, a love for the profession, and deep  feeling
for its mission. Absent these things and you get accountants looking
at bottom lines as if that was the crux of the field, or tech whizzes
trying to force fit a news magazine / opinion journal into some
new version of what Silicon Valley does by way of communicating
in e-print. "All Power to the [high tech] Soviet," in other words.
 
Sorry, that's not the way to go.
 
 
HL Mencken had it right when he was editor of American  Mercury years ago.
Seek out the best, promote the best, stand for something, and act  like
a crusader. To some extent this is also happening at C-Span, which,
during its weekend programs, promotes books (on television!) and  features
lengthy talks by authors, from 30 minutes to an hour, and one show
that is 3 hours long.
 
What is your objective?  No-one says that money is some kind of  evil,
that isn't true at all, but is profitability what journalism is all about  
or is it
being a missionary and winning people over to principle, decent  values,
and inspired new ideas?
 
It may come as a shock to tech folk but there actually are a lot of people 
in the world who are attracted to principle, decent values,  and inspired 
new ideas. And, for that matter, who may also be attracted to "old"  ideas
that are very much still worth serious consideration, whether Plato  or
Confucius or the Bible.
 
What really is the #1 goal?
Making lots of money, therefore content matters only if it  contributes
to this objective, otherwise it can be almost anything,
OR
Making lots of converts to a way to thinking that you are convinced,
deep down inside,  is necessary "medicine" for the ills of modern  society?
In this case content is everything and making money, while that needs 
to be in the picture, is secondary. If the message is compromised
it is time to walk away and start over somewhere else.
 
This is not some kind of paean of praise to poverty. I fail to see  where
poverty is some kind of virtue. What this is, is a matter or  perspective.
Alas, some people seem to think that if making lots of money
isn't your first priority then you  -whomever-  must admire or 
even love poverty. Which is absurd and simply is a comment
on someone's mindset.
 
The new owners of New Rep seem to think that what the magazine means
to its readers matters far less than re-inventing it as a cash cow.
The word that first comes to mind when thinking about such people
is that they are a**holes.
 
It isn't every day that an influential (if not very profitable)  magazine
loses virtually its entire editorial staff and still others, sufficient so  
that
it has become necessary to cancel the December issue.
 
The owners never believed in the magazine, is what this says, and  which
might also be asked of Bezos at the WaPo. In any case, they have done
to the magazine what a Taylorite efficiency expert would do to a  marriage,
totally screwed everything up by not understanding what really is going  on
and the meaning that people get from the experience.
 
 
 
Who is "God" in this story?  Your favorite Silicon Valley hero
or Mencken? Again, not to disparage Silicone Valley's incredible
accomplishments, au contraire, who isn't impressed? The  question
is what do you  live for?
 
Douthat, in the following article, laments the fact that all-too-many  
people
sing the Dollar Serenade as their national anthem. But the remedy  isn't
dusting off tradition and presenting it as the Real Good, no debate  
possible,
but creating a new and vibrant worldview which takes the best from
tradition but isn't one more variant of tradition   -and that, in  its 
newness,
captures people's imaginations.
 
 
Some day, I know not when, the Bugle will do exactly that.
The idea, all along, has never been to be one more (but slightly  different)
e-newspaper, but a publication with a mission that is worth believing  in.
Unless you believe in this mission  -whole heartedly-  it would  be
impossible to see the value in it. But I haven't stopped believing,
not for one minute even if, for now, there are other things
that need to be done first.
 
Billy
 
 
=======================================
 
 
NYT
 
Dec. 6, 2014

 
The Old Journalism and the New
What the Fate of The New Republic  Reveals

Ross  Douthat
 
SOMETIMES media events synchronize almost too neatly.  Last weekend, the 
entity known as Vox Media, whose array of properties includes  this year’s big 
liberal-journalism start-up, _Vox.com_ (http://vox.com/) , announced that 
its latest round of investment had raised  the company’s valuation to a 
robust _$380  million_ 
(http://www.nytimes.com/2014/12/01/business/media/vox-media-valued-at-nearly-400-million-after-investment.html)
 . 
Then on  Thursday, The New Republic, a storied liberal magazine that’s 
emphatically not  worth $380 million, saw its editor in chief and literary 
editor resign amid  major conflicts with their superiors, a pair of figures out 
of a Silicon Valley  satire — a tech almost-billionaire, Chris Hughes, who 
won the meritocracy’s  equivalent of the lottery when he roomed with Mark 
Zuckerberg at Harvard, and  Hughes’s digital guru, Guy Vidra, whose plan for 
vertical integration with the  singularity can now proceed apace.
 
Mass resignations followed; eulogies were penned for the  T.N.R.-that-was. 
(And, admittedly, that hadn’t really existed for some time.)  But the most 
interesting in memoriam _came from Ezra  Klein_ 
(http://www.vox.com/2014/12/4/7337491/new-republic-changes) , Vox.com’s editor 
in chief, because he wrote 
as a spokesman for a new  model of political journalism pronouncing a 
parting benediction on the old  one. 
“The eulogy  that needs to be written,” Klein argued, is actually for an 
entire kind of  publication — the “ambitious policy magazine,” whether on 
the left or right,  that once set the terms of Washington’s debates. 
With the  emergence of the Internet, those magazines lost their monopolies, 
and the debate  “spilled online, beyond their pages, outside their borders,”
 with both new  competitors and specific voices (Klein kindly cites my own) 
becoming more  important than before.
 
< 


As Klein  correctly implies, this shift has produced a deeper policy 
conversation than  print journalism ever sustained. Indeed, the oceans of space 
online, the easy  availability of studies and reports, the ability to go 
endless rounds on topics  — plus the willingness of many experts to blog and 
bicker for the sheer fun of  it! — has made the Internet era a golden age for 
technocratic argument and  data-driven debate. 
But there  is a price to be paid as well. That price, Klein suggests, is 
the loss of the  older magazines’ ability to be idiosyncratic and nonpandering 
and just tell  their readers what they should care about, because more than 
ever before you  need to care about what readers click on first (like the 
latest John Oliver  SMACKDOWN, in the case of Vox) to get the traffic that 
pays for the ads that  subsidize a seven-part argument about health care 
costs. 
So as much  as the new landscape has to offer, Klein concludes, “something 
is being lost in  the transition from policy magazines to policy websites, 
and it’s still an open  question how much of it can be regained.” 

All of this is sensible and true. But there’s one large  amendment that 
needs to be offered. The New Republic as-it-was, the magazine I  and others 
grew up reading, was emphatically not just a “policy magazine.” It  was, 
instead, a publication that deliberately integrated its policy writing with  
often-extraordinary coverage of literature, philosophy, history, religion,  
music, fine art.
 
It wasn’t just a liberal magazine, in other words; it was  a liberal-arts 
magazine, which unlike many of today’s online ventures never left  its 
readers with the delusion that literary style or intellectual ambition were  of 
secondary importance, or that today’s fashions represented permanent  truths. 

Unlike our era’s ascendant data journalism, it also never  implied that 
technocracy was somehow a self-sustaining proposition, or that a  
utilitarianism of policy inputs and social outcomes suffices to understand 
every  area of 
life. (And unlike many liberal outlets, in its finest years it  published, 
employed and even occasionally was edited by people on the right of  center —
 something some of us particularly appreciated.) 

So when we talk about what’s being lost in the transition  from old to new, 
print to digital, it’s this larger, humanistic realm that needs  attention. 
It isn’t just policy writing that’s thriving online; it’s anything  that’
s immediate, analytical, data-driven — from election coverage to _pop  
culture obsessiveness_ 
(http://www.slate.com/articles/arts/culturebox/2014/11/totally_obsessed_the_age_of_cultural_manias_from_true_detective_to_serial.html)
 
 to rigorous analysis of baseball’s trade market. 
Like most  readers, I devour this material. Like most journalists, I write 
some of it. I’m  grateful that the outlets that produce it all exist. 
But among publications old and new and reinvented, it’s  also hard not to 
notice that_  John Oliver videos_ 
(http://www.vox.com/2014/7/14/5897797/john-oliver-explains-wealth-gap)  — or, 
more broadly, the array of food and 
sports and  gadget sites that surround Klein’s enterprise at Vox Media — aren’t 
just paying  for the policy analysis. They’re actively displacing other 
kinds of cultural  coverage and interaction, in which the glibness of the 
everyday is challenged by  ideas and forms older than a start-up, more subtle 
than 
a TV recap, more  rigorous than a comedian’s monologue. 
And since  today’s liberalism is particularly enamored of arc-of-history 
arguments that  either condemn or implicitly whisk away the past, this may be 
a particular  problem for the Internet-era progressive mind. 
The peril  isn’t just that blithe dot-com philistines will tear down 
institutions that once  sustained a liberal humanism. It’s that those 
institutions’
 successors won’t  even recognize what’s lost.

-- 
-- 
Centroids: The Center of the Radical Centrist Community 
<[email protected]>
Google Group: http://groups.google.com/group/RadicalCentrism
Radical Centrism website and blog: http://RadicalCentrism.org

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