Maaf Sanak, sato pulolah Si m.m gak saketek. Memori ambo 40 tahun nan lalu masih basiso.
Kutiko ambo baru marantau dari Bukiktinggi (1970) ambo (umua jalan 16 thn) lansuang mancari dan basuo jo pelukis (bukan tukang peluk & kiss, istilah Da Delsy) nan ukatu tu punyo sanggar di Jl.Menteng Raya (kini jadi Gedung PPM di subarang kantua Muhammadiyah Jakarta). Sarupo jo palukih lainnyo angkatan baliau (a.l Zaini urang Pariaman, alm; Nasar urang pasie Pariaman, alm) baliau ko sabana urakan. Kalau dalam baso awaknyo mungkin dapek dibari gala 'co urang rene'. Marokok sambuang manyambuang dan agak cangok ka induak-2 nan bakaniang bakilek (maaf...., maaf dan maaf). Padohal, kalau baliau itu bisa mangalola razakinyo nan dipadapek dari illustrator ukatu tu sabana batepek. Sabagai illustrator tataok majalah Caraka (ukatu tu ba-oplagh terbesar di Indonesia), manjadi art director dari film-2 nan dibuek Persari dan Tuty Jaya Pictures dan pelukis satire sosial malalui komik strip Mat Pilun di majalah Caraka), sabana master piece di zamannyo. Baliau lai sempat kawin (nan katigo, ukatu tu) jo artis tacelak (di zamannyo) nan banamo Trisye Sutta. Kutiko ambo (1975) mambuang uamua pulo bakarajo di kapa tanker dari samudra ka samudra, komunikasi ambo jo da Delsy mulai jarang dan akhienyo hilang. Khusus untuak Sanakmbo TR, Si Motinggo Busye (novelis panas di era 70-80-an) baliau asli Matua, tapi gadang di Lampuang jo Bangkulu. Namo asli baliau adolah Bustami Djalid nan bagala Saidi Maharajo. Bustami Mantiko Bungo (nan diplesetan-kan jadi Montinggo Busye) saangkatan jo Nazif "Palimo Alang Bangkeh" Basir Sutan Pamenen kutiko kuliah di ATNI Yogyakarta. Kalau soal mangecek baso minang, novelis "Tante Maryati" ko lai samo jo Sanak TR atau Madahar. Dialek no samo jo urang Darek. Sakian sajo tukuak tambahan dari ambo. Salam.................., mm*** ________________________________ From: "[email protected]" <[email protected]> To: [email protected] Sent: Wednesday, October 26, 2011 11:19 AM Subject: Re: [R@ntau-Net] Memorizing an Indonesian Legendary Painter: Delsy Syamsumar Ilustrasi baliau untuak curito "Palimo Alang Bangkeh" di Harian Singgalang dulu sabana padek dan menghentak Kok nan seronok bisa pulo dicaliak dalam karya Motinggo Busye nan urang Minang juo --TR Sent from my BlackBerry® powered by Sinyal Kuat INDOSAT ________________________________ From: Dewis Natra <[email protected]> Sender: [email protected] Date: Wed, 26 Oct 2011 11:13:40 +0700 To: <[email protected]> ReplyTo: [email protected] Subject: [R@ntau-Net] Memorizing an Indonesian Legendary Painter: Delsy Syamsumar Delsy Syamsumar Delsy Sjamsumar or Delsy Syamsumar was the only Indonesian painter that was acknowledged by The France Art and History Institution through the world art literary “France Art Journal 1974” as the best South East Asia painter with a huge talent such as painter, comic illustrator, designer, film story board, art director, production designer and so on. In that journal it was said that Delsy was “II’exellent dessinateur” and“Literature’s Contemporaines L’ Azie du Sud Est. (An excellent designer” and “The best literature contemporer in South East Asia.” In addition as an illustrated story painter and a talented illustrator, he also used to be awarded as the best Asian Art Director through his film entitled Holiday in Bali, directed by H. Misbah Yusabiran in Asian Film Festival in Tokyo in 1964, during the Summer Olympic in Japan. A lot of his works illustrate many famous Indonesian mass media such as Kartini magazine that it logo was made by him, Aneka, Vista, Caraka, Singgalang, Pos Kota, Pos Film, Majalah Film, Senang, Misteri, Amanah, Idola, Anita and many more. Delsy’s works were not only oriented on some media but they also reached to the complex media that never been done by other South East Asia painters, such as Indonesian airway company’s logo “Bouraq Indonesia, the old Pertamina’s logo of sea horse, tissue design package, condom package, soap, book cover to the Minang traditional house logo that currently spread out was one of his works. He also well known as a sculptor whether for monument, sculpture for film stuntman, etc. There were many comics he made such as Mawar putih, Bajak Laut Aceh, Pertempuran Lima Hari Lima Malam di Palembang, Mat Pilun, Tonggeret, Indonesian epic comic such as: Diponegoro, Sentot Alibasya, Sultan Hassanudin, Christina MT, Tuanku Imam Bonjol, Cut Nyak Dien and there were still many more of his works. His comics were collaboration between classic and modern paint art that represented Indonesian people in common between 1957 to 2001. Painting exhibition that was performed together (biennale) with Indonesian famous painters such as Basuki Abdullah, Sudjoyono and so on in Jakarta in 1986 raised Delsy’s name further because his works were sold more, the most expensive and interested by local and foreign painting lovers. At that time, painting observers analyzed that the factors motivated his painting buyers was lied on his creativity that able to express Indonesian society situation that lived on porches of stores and shops and sidewalk of the dirty downtown that full of reality in New Era of Indonesian goverment or Suharto’s Goverment (orde baru). Delsy was born in Medan and his parents come from Bukittinggi, Sumatera Barat in 1935. He was an Indonesian painter that learnt to his teacher, Wakidi, a leading painter in orde lama era. In the middle of Japanese comic and animation invasion that attack Indonesia nowadays. Comic and animation observer, ombushman, Indonesian publisher began to miss works as in Delsy Sjamsumar strike again to wipe his brush on the paper. His works was vulgar through its era. So that he was often reminded by ulama, religious leader and society observer to Indonesian politician. In the world of cinema, there were movies that he took apart such as Malam Jahanam, Kemelut Hidup,Saur Sepuh, Bernafas dalam Lumpur, Sebelum Usia 17, Jangan Sakiti Hatinya, Live love and tears, Buaya Deli, Jayaprana, and so on. He passed away on his first wife’s lap “Adila” in 2001 in Jakarta, Indonesia and left 9 children and 5 wives that used to marry with him. Of course for Indonesian society that used to see and observe of Delsy works, appreciate his magnificent works, and no wonder if Delsy’s works were protruded as the painting and illustration of “Indonesian Art Identity”. It was expected that new Delsys would come up and able to show their ability in the world of comic and animation just like Japan that represented Osamu Tezuka or America that represented Disney. (V. Dermawan). Edit this entry. -- Is St. Marajo, 42, sikumbang, Sungai Pua, Tangerang www.cimbuak.net #KAMPUANG JAUAH DIMATO DAKEK DIJARI# Blog : http://urangminang.wordpress.com http://palantaminang.wordpress.com -- . * Posting yg berasal dari Palanta RantauNet, dipublikasikan di tempat lain wajib mencantumkan sumber: ~dari Palanta R@ntauNet http://groups.google.com/group/RantauNet/~ * Isi email, menjadi tanggung jawab pengirim email. =========================================================== UNTUK DIPERHATIKAN, melanggar akan dimoderasi: - DILARANG: 1. E-mail besar dari 200KB; 2. E-mail attachment, tawarkan di sini & kirim melalui jalur pribadi; 3. One Liner. - Anggota WAJIB mematuhi peraturan serta mengirim biodata! 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