Benn,

I totally agree with everything Brian and Jason said, especially the aspect of 
the chronic and *significant* UNDER-estimation of the power needs by the sound 
equipment crew.

Earlier comments in this thread from Larry (Starlight Solar), Ray Walters, 
Jason (Fafco Solar) are also spot on.  They all clearly know of what they speak.

I also absolutely want to reinforce Brian's recommendation that you use a 
*quality* sine wave inverter -- one that's capable of reacting fast enough for 
the wild swings in power demand placed on it by large audio amplifiers.  As 
Brian mentioned, the Exeltech MX will do this.  I've been using MX inverters to 
provide power for Grammy award winning bands.  I have feedback from every audio 
engineer who's ever used solar power from the Shuttle -- and they all agree 
(yes, 100% of them) .. the power from the MX is cleaner than any power they've 
ever used, including at their recording studios.  Keep in mind .. just because 
an inverter has sine wave output doesn't mean it's capable of reacting quickly 
to keep the output voltage stable.

Brian .. by the way .. don't worry about running the MX in the red.  This is an 
indication of the inverter being called on to deliver its max power, not an 
overload condition.  The MX are rated to run in the red at 100% of their rated 
power 24/7, and they'll do it for as long as your DC source holds out.  The 
inverter wasn't clipping the AC waveform in the red, even at less than 24Vdc 
input.  What the sound guy heard was distortion in either the amplifier(s), 
speakers, or both.  This could have been caused if their extension cords from 
the MX inverter were too light for the load current .. but wasn't the MX 
inverter.  It'll deliver a sine wave down to less than 22 volts, and will turn 
off due to DC undervoltage before the sine wave begins to clip.  Since it 
continued to operate .. you were getting a clean sine wave the entire time.

Benn .. I've been powering outdoor events for more than 10 years.  Here's a 
link to a PDF on my solar trailer (the "Solar Shuttle"):

http://www.txses.org/NTREG/dnld/SolarShuttleInfo_2010.pdf

If you wish to see photos of the Shuttle under construction, here's a link:

http://www.txses.org/NTREG/projects.htm


The Shuttle has 2150 watts in PV, dual Blue Sky Energy MPPT charge controllers, 
20 kWh in battery, and 12 kW in Exeltech MX sine wave inverters.  It's all been 
flawless, including operation at over 100F.  Full specs are on the last page in 
the PDF.

The trailer will power events for up to 15,000 people (+/-) depending on a 
number of variables.  The largest event it's ever powered had 18,000 attendees.

Things to avoid at all cost:

Incandescent stage lamps.  Period.  (Dan from FoxFire and Jason from Fafco are 
100% on target on this.)

* Tube amplifiers of any kind.
* Class 'A' amplifiers (tube or solid state - doesn't matter).
  Most sound people and musicians are clueless about this aspect
  of their equipment. You'll have to either get the make and model of
  the amps and talk with the respective manufacturers .. or go to a lot
  of trouble to measure idle power for each.

* Events at night.  For events after dark, you're running totally on battery.
  This can be a pain.  For significant power draw at the event, you'll need
  very *BIG* batteries.


As Brian mentioned, amplifier "idle power" can be a killer.  I provided power 
for a soundstage last Saturday for a small Earth Day type event that ran for 10 
hours, and attracted 5,000 people.  The stage had 7 kW in audio amplifiers, 
plus mixers, monitor amplifiers, and other electronics.  They frequently hit 10 
kW+ on audio peaks, and consumed 1.8 kW just sitting there.  Thankfully, we had 
pretty good sun and the PV was able to keep up much of the day.  This was a 
*small* sound stage.  Brian T. and Dave Katz have handled some monster stages 
by comparison.

Remember too .. headliner bands tend to be the loudest and most power-hungry of 
the groups.  They're generally the last ones on stage, just when the batteries 
are really getting tired.

Jay's comment about blowing fuses also merits a comment.  Fuses are appropriate 
in many applications.  I don't feel that applies here.  I used DC-rated 
magnetic hydraulic breakers with appropriate amperage and AIC ratings in the 
Solar Shuttle systems.  They're very expensive but aren't affected by 
temperature (as are fuses and ordinary breakers).  Breakers aren't as fast as 
fuses during an over-current protective event, but they can be turned off .. or 
re-set.

Powering events can be a lot of fun yet nerve-wracking all at the same time.  
One excellent benefit .. you get a front-row seat for the music.  You also sit 
there and hope the batteries hold out -- you're a front-and-center target for 
the music fans if they don't.

If you want to discuss the Shuttle in detail, and/or powering events in 
general, contact me off list and I'll be happy to cover whatever info I can.


Dan


--- On Wed, 4/27/11, Brian Teitelbaum <[email protected]> wrote:

From: Brian Teitelbaum <[email protected]>
Subject: Re: [RE-wrenches] PV powered music festival
To: "RE-wrenches" <[email protected]>
Date: Wednesday, April 27, 2011, 8:13 PM

Benn,  I have a little experience from about a decade ago. Don’t know how 
useful it will be though.  AEE and DC Power used to team up to supply power for 
a three-day outdoor music festival in Mendocino Co, CA in the mid 90’s and 
early 2000’s. Music from 5-8PM on Friday, and from 11AM-10PM on Sat and Sun.  I 
don’t know how big the crowd was  - 5-6000 I would guess.  We would bring a 
rack-mounted 12kW Exeltech MX inverter set-up (24V and not even N+1 redundant) 
and 5-6kW of PV (a lot of 120W modules). DC Power would bring two big 
tractor-trailer loads of industrial wet-cell batteries (I have no idea what the 
total amp-hours were, but a hell of a lot).  The sound crew would show up each 
year with a bigger set-up, even though we warned them that the power supply was 
limited. Stage lighting was left on generators running biodiesel.  The last 
year that we did it, the sound guys showed up with a sound system rated at 
14kW. It drew 6kW just being
 on with no sound. Not even a hint of buzz or hum from the inverter power. The 
MX is good stuff.  I nervously watched that Exeltech all weekend as the bar 
graphs on each power module stayed in the red over-load range for most of each 
band’s set. When the drummers or bass players would go nuts it was all red 
lights. We were measuring up to 600A of current flowing through the four pairs 
of 4/0 cables coming from the batteries, and a good bit of voltage drop as the 
cables were at least 30’ long. The inverter was seeing less than 24VDC most of 
the time. The cooling fans on the MX modules would run for 20-30 seconds, and 
shut off for a minute or two and then come on again. This is with temps in the 
upper 90’s, and the inverter sitting on the ground under the stage. Even with 
all this torture, the Exeltech never even hiccupped, which was quite 
impressive. The sound engineer was hollering at us that the inverter was 
clipping off the high notes, but
 neither I, nor the audience ever noticed. All I could do was shrug and tell 
him that he was warned about limited power availability. The music was great.   
By the end of the weekend, those batteries were pretty drained, so it’s hard to 
actually say that the show was “solar powered”. Sitting around with a few beers 
afterwards, we all agreed that the ranch owners could install a 2kW grid-tie 
system on a tracker at the concert site and that system would produce all the 
energy needed for the show in a year’s time, likely including the energy use 
for the lighting and by the vendors. This would have required that utility 
power be brought to the site, which would have been a rather expensive deal, 
but would have made more sense, and would have made it a more truly 
solar-powered event.  Brian TeitelbaumAEE Solar  From: 
[email protected] 
[mailto:[email protected]] On Behalf Of benn kilburn
Sent: Wednesday, April 27, 2011 3:51 PM
To: Wrenches
Subject: [RE-wrenches] PV powered music festival  Wrenches,I have been asked 
about sizing PV systems for a couple different music festivals that have been 
run solely off of generators in the past.  The problem i'm having is 
determining the energy consumption of music/stage (amps, speakers, lights, 
etc...?) loads as well as concession.  The organizers have never considered the 
kwh of electricity used and it has never been metered.  I believe the 
attendance of one festival is expected to be in the range of 5000 and the other 
closer to 15000 over the course of a weekend.  Do any of you have any 
experiences in this area?  How were the loads determined?  No doubt that 
generator back-up will still be needed, to what extent, will be determined.  So 
what we're looking at would be a temporary off-grid PV system with generator 
back-up...  Any suggestions on how to proceed with this one?  benn

DayStar Renewable Energy Inc. [email protected] HAVE A SUNNY DAY 
    
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