Dan,

 

Nice trailer. We take a bit of a different approach. 40kWh (20hr rate) of Rolls 
Batteries is our standard. It requires a custom trailer with heavy duty axles 
and a pretty good vehicle to tow it. So many events require power to be on-site 
for setup early in the morning or require power after dark, so the battery is 
key. Party on the weekends and recharge during the week. It’s still solar 
energy!

 

I can’t wait until the $/kWh capacity for lithium ion batteries makes sense. 
That will be a game changer for mobile solar…

 

Jason Szumlanski

Fafco Solar

 

From: [email protected] 
[mailto:[email protected]] On Behalf Of Exeltech
Sent: Wednesday, April 27, 2011 11:26 PM
To: RE-wrenches
Subject: Re: [RE-wrenches] PV powered music festival

 

Benn,

I totally agree with everything Brian and Jason said, especially the aspect of 
the chronic and *significant* UNDER-estimation of the power needs by the sound 
equipment crew.

Earlier comments in this thread from Larry (Starlight Solar), Ray Walters, 
Jason (Fafco Solar) are also spot on.  They all clearly know of what they speak.

I also absolutely want to reinforce Brian's recommendation that you use a 
*quality* sine wave inverter -- one that's capable of reacting fast enough for 
the wild swings in power demand placed on it by large audio amplifiers.  As 
Brian mentioned, the Exeltech MX will do this.  I've been using MX inverters to 
provide power for Grammy award winning bands.  I have feedback from every audio 
engineer who's ever used solar power from the Shuttle -- and they all agree 
(yes, 100% of them) .. the power from the MX is cleaner than any power they've 
ever used, including at their recording studios.  Keep in mind .. just because 
an inverter has sine wave output doesn't mean it's capable of reacting quickly 
to keep the output voltage stable.

Brian .. by the way .. don't worry about running the MX in the red.  This is an 
indication of the inverter being called on to deliver its max power, not an 
overload condition.  The MX are rated to run in the red at 100% of their rated 
power 24/7, and they'll do it for as long as your DC source holds out.  The 
inverter wasn't clipping the AC waveform in the red, even at less than 24Vdc 
input.  What the sound guy heard was distortion in either the amplifier(s), 
speakers, or both.  This could have been caused if their extension cords from 
the MX inverter were too light for the load current .. but wasn't the MX 
inverter.  It'll deliver a sine wave down to less than 22 volts, and will turn 
off due to DC undervoltage before the sine wave begins to clip.  Since it 
continued to operate .. you were getting a clean sine wave the entire time.

Benn .. I've been powering outdoor events for more than 10 years.  Here's a 
link to a PDF on my solar trailer (the "Solar Shuttle"):

http://www.txses.org/NTREG/dnld/SolarShuttleInfo_2010.pdf

If you wish to see photos of the Shuttle under construction, here's a link:

http://www.txses.org/NTREG/projects.htm


The Shuttle has 2150 watts in PV, dual Blue Sky Energy MPPT charge controllers, 
20 kWh in battery, and 12 kW in Exeltech MX sine wave inverters.  It's all been 
flawless, including operation at over 100F.  Full specs are on the last page in 
the PDF.

The trailer will power events for up to 15,000 people (+/-) depending on a 
number of variables.  The largest event it's ever powered had 18,000 attendees.

Things to avoid at all cost:

Incandescent stage lamps.  Period.  (Dan from FoxFire and Jason from Fafco are 
100% on target on this.)

* Tube amplifiers of any kind.
* Class 'A' amplifiers (tube or solid state - doesn't matter).
  Most sound people and musicians are clueless about this aspect
  of their equipment. You'll have to either get the make and model of
  the amps and talk with the respective manufacturers .. or go to a lot
  of trouble to measure idle power for each.

* Events at night.  For events after dark, you're running totally on battery.
  This can be a pain.  For significant power draw at the event, you'll need
  very *BIG* batteries.


As Brian mentioned, amplifier "idle power" can be a killer.  I provided power 
for a soundstage last Saturday for a small Earth Day type event that ran for 10 
hours, and attracted 5,000 people.  The stage had 7 kW in audio amplifiers, 
plus mixers, monitor amplifiers, and other electronics.  They frequently hit 10 
kW+ on audio peaks, and consumed 1.8 kW just sitting there.  Thankfully, we had 
pretty good sun and the PV was able to keep up much of the day.  This was a 
*small* sound stage.  Brian T. and Dave Katz have handled some monster stages 
by comparison.

Remember too .. headliner bands tend to be the loudest and most power-hungry of 
the groups.  They're generally the last ones on stage, just when the batteries 
are really getting tired.

Jay's comment about blowing fuses also merits a comment.  Fuses are appropriate 
in many applications.  I don't feel that applies here.  I used DC-rated 
magnetic hydraulic breakers with appropriate amperage and AIC ratings in the 
Solar Shuttle systems.  They're very expensive but aren't affected by 
temperature (as are fuses and ordinary breakers).  Breakers aren't as fast as 
fuses during an over-current protective event, but they can be turned off .. or 
re-set.

Powering events can be a lot of fun yet nerve-wracking all at the same time.  
One excellent benefit .. you get a front-row seat for the music.  You also sit 
there and hope the batteries hold out -- you're a front-and-center target for 
the music fans if they don't.

If you want to discuss the Shuttle in detail, and/or powering events in 
general, contact me off list and I'll be happy to cover whatever info I can.


Dan


--- On Wed, 4/27/11, Brian Teitelbaum <[email protected]> wrote:


From: Brian Teitelbaum <[email protected]>
Subject: Re: [RE-wrenches] PV powered music festival
To: "RE-wrenches" <[email protected]>
Date: Wednesday, April 27, 2011, 8:13 PM

Benn,

 

I have a little experience from about a decade ago. Don’t know how useful it 
will be though.

 

AEE and DC Power used to team up to supply power for a three-day outdoor music 
festival in Mendocino Co, CA in the mid 90’s and early 2000’s. Music from 5-8PM 
on Friday, and from 11AM-10PM on Sat and Sun.  I don’t know how big the crowd 
was  - 5-6000 I would guess.

 

We would bring a rack-mounted 12kW Exeltech MX inverter set-up (24V and not 
even N+1 redundant) and 5-6kW of PV (a lot of 120W modules). DC Power would 
bring two big tractor-trailer loads of industrial wet-cell batteries (I have no 
idea what the total amp-hours were, but a hell of a lot).

 

The sound crew would show up each year with a bigger set-up, even though we 
warned them that the power supply was limited. Stage lighting was left on 
generators running biodiesel.

 

The last year that we did it, the sound guys showed up with a sound system 
rated at 14kW. It drew 6kW just being on with no sound. Not even a hint of buzz 
or hum from the inverter power. The MX is good stuff.

 

I nervously watched that Exeltech all weekend as the bar graphs on each power 
module stayed in the red over-load range for most of each band’s set. When the 
drummers or bass players would go nuts it was all red lights. We were measuring 
up to 600A of current flowing through the four pairs of 4/0 cables coming from 
the batteries, and a good bit of voltage drop as the cables were at least 30’ 
long. The inverter was seeing less than 24VDC most of the time. The cooling 
fans on the MX modules would run for 20-30 seconds, and shut off for a minute 
or two and then come on again. This is with temps in the upper 90’s, and the 
inverter sitting on the ground under the stage. Even with all this torture, the 
Exeltech never even hiccupped, which was quite impressive. The sound engineer 
was hollering at us that the inverter was clipping off the high notes, but 
neither I, nor the audience ever noticed. All I could do was shrug and tell him 
that he was warned about limited power availability. The music was great. 

 

By the end of the weekend, those batteries were pretty drained, so it’s hard to 
actually say that the show was “solar powered”. Sitting around with a few beers 
afterwards, we all agreed that the ranch owners could install a 2kW grid-tie 
system on a tracker at the concert site and that system would produce all the 
energy needed for the show in a year’s time, likely including the energy use 
for the lighting and by the vendors. This would have required that utility 
power be brought to the site, which would have been a rather expensive deal, 
but would have made more sense, and would have made it a more truly 
solar-powered event.

 

Brian Teitelbaum

AEE Solar

 

From: [email protected] 
[mailto:[email protected]] On Behalf Of benn kilburn
Sent: Wednesday, April 27, 2011 3:51 PM
To: Wrenches
Subject: [RE-wrenches] PV powered music festival

 

Wrenches,

I have been asked about sizing PV systems for a couple different music 
festivals that have been run solely off of generators in the past.  The problem 
i'm having is determining the energy consumption of music/stage (amps, 
speakers, lights, etc...?) loads as well as concession.  The organizers have 
never considered the kwh of electricity used and it has never been metered.  I 
believe the attendance of one festival is expected to be in the range of 5000 
and the other closer to 15000 over the course of a weekend.

 

Do any of you have any experiences in this area?  How were the loads determined?

 

No doubt that generator back-up will still be needed, to what extent, will be 
determined.  So what we're looking at would be a temporary off-grid PV system 
with generator back-up...

 

Any suggestions on how to proceed with this one?

 

benn

DayStar Renewable Energy Inc. 

[email protected]

780-906-7807 

HAVE A SUNNY DAY 

 

 


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