2007/10/13, Pedro Lopez-Cabanillas <[EMAIL PROTECTED]>:
> On Friday, 12 October 2007 02:03, D. Michael McIntyre wrote:
> > On Thursday 11 October 2007, Chris Cannam wrote:
> > > On Thursday 11 October 2007 13:33, Pedro Lopez-Cabanillas wrote:
> > > > On 10/11/07, Heikki Johannes Junes  wrote:
> > > > > Ok, backing up the change.
> > > >
> > > > OK. I'm pissed enough to not say a single more word.
> > >
> > > I'm sorry, I don't understand.  Why?  (If I can provoke you into saying
> > > another word or two, that is.)
> >
> > I don't understand either.
>
> I'm breaking my promise of shutting up definitely because perhaps my message,
> without more explanations, could make somebody feel guilty without merit. I
> want to specifically tell Heikki that even when I was answering his post, my
> anger has nothing to do with him.

Nevertheless, I would like to say sorry, since my actions did not make
you feel less ignored. With this Suse related bug [1], I seem to have
entered into the discussion in a haste and proposed some changes, too
agressively, without having in hand the best knowledge on how resolved
bugs should actually be dealt with. There really seemed to be quite an
involved survey behind resolving the bug, and this survey should not
be hidden! I was happy that we ended up in a good resolution on how to
keep this resolution visible (FIXED!).

I have had really warm feelings towards people (you all!) who are
really caring about the contributions that enter into the development.
As a result, we are again converging towards a new release, which will
again be better and shiner than ever before!

Rosegarden is a great thing, I have again had time to play my piano
and record some midi event from there. To my happiness, recording my
improvisations with Rosegarden showed up to be the easiest way to put
down my musical ideas that appeared during improvisation. I am quite
eager on continuing these piano playing events. It has really be a joy
for me. For example, it has been possible to play with six hands by
recording first two hands (MIDI IN to track #1), then play them (MIDI
OUT from track #1 to my piano) and record at the same time two more
hands to second track (MIDI IN to track #2), etc.  I could even play
with ten hands by using this method. It is really amazing!

[1] 
http://sourceforge.net/tracker/index.php?func=detail&aid=1620644&group_id=4932&atid=104932

Best wishes,

Heikki

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