Il venerdì 17 ottobre 2008 02:40:04 D. Michael McIntyre ha scritto: > On Thursday 16 October 2008, Mario Moles wrote: > > 1) the possibility to choose fonts for the title it, the subtitle it, > > composer, poet and markup several; > > Heikki has talked about this, so he might have something in mind. > > > 2) the pagination: distance between systems, the possibility to choose > > how many systems for page and how many measures for system > > I agree it would be nice to be able to control this kind of thing, but it > is unlikely we will offer this capability anytime soon. > > > 3) fingers: > > 3a) correction of the bug that inverts the position of the numbers of > > the fingers in the output lilypond > > I don't think we're aware of this bug. > > > 3b) insertion of the fingers right hand for guitar > > 3c) insertion overlap \ markup (\ column) > > > > 4)why to use the directives-lilypond? he would not be simpler translate > > in language lilypond the aoutput rosegarden native? > > It is possible to use LilyPond to produce things that Rosegarden cannot do > natively. The best solution would be to give Rosegarden new native > abilities, but this is really hard to do, and we have no volunteers for the > job. > > > as an example it is indeed > > thus difficult to create a button for the barlines like for the keys > > Yes, because barlines don't really exist as objects that can be > manipulated. They are calculated. This and so many other problems are > because we are a MIDI sequencer with a notation engine on top. It would be > much easier to solve most of the problems you suggest if we were built like > Canorus or MusE Score, to do no other job but to draw music notation. > > Making all of this work is very, very hard. Ok! But it would be pretty to create an access button express exclusively for the directives lilypond; but if it is difficult to make also this would appeal to me that these directives were added lilypond: \ bar " |: " \ bar ": |: " \ bar ": |" because now they are omitted and would be pretty to be able to move them in the middle of the measure what that now cannot be made. Thanks!
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