To All,

Reproduction on-line requires 72 pixels per inch at whatever size you 
want to display.  It used to be that a large image was hard to bring up 
before DSL, cable and faster computers.  the JEPG format is standard for 
Internet reproduction.

If your going for color magazines they like to receive images t 240 ppi 
at final repro size.  This means that if you submit a image that is 
sized at 240 ppi and cropped to 5 x 7, it can be used easily at that 
size or a smaller size.  If they want to use it larger you generally 
have to use some tricks to make that happen properly.  If you are using 
JEPG's it becomes more difficult also. 

Canon as made a series of cameras called G and I think they are G-11 
right now that are great.  Nikon just introduced a competing model--I 
think it's a 5000 something.  Both are in the $500 range.  Since I've 
been a Nikon man since HS, I hope to spring for one.  The advantage of 
both these cameras are that they have all the advantages of the cheepie 
point and shoot but with professional features that you can use or not.  
Most typical images don't need much editing but I find that I push the 
limits too often in my work.  Overall any camera with above 8 mp should 
do fine, with 6 being the lower limit.  Anything above 12 is usually a 
waste.

Now when it comes to sharpness, that's another ball of wax.  Lens 
sharpness with many of the smaller cameras will peak at mid 
range--sometimes in the F 5.6 or F 8 range.  Unfortunately depth of 
field with a normal or telephoto setting isn't good enough at 5.6 so you 
stop down to F 11-22, but you'll loose some sharpness.  Too often with 
modern technology we rely on 'program setting' to do all the work.  I 
find that it normally gets me into trouble so I've seldom us anything 
but my brain (as long as it holds out)!

What I'm doing for increasing depth of field is using a small little 
part of photoshop CS where you utilize several images shot a different 
distance settings.  It normal works fairly well giving extreme depth of 
field never possible before.  On the downside I've done a few shots 
where it hasn't worked well enough to be acceptable.  At that point I 
usually have a backup image that is nearly as good. 

Bob Werre
BobWphoto.com


>  
>
>
> Hi Bob;
>
> Bob Werre would be better to comment on this, but it seems to me that 
> the focus is just a bit "soft" and it could use some depth of field 
> (the track in front is pretty blurred).
>
> I have a Cannon "Power Shot" that does pretty well, and has an 
> aperture priority mode. Unfortunately, the movable display has gone 
> out which makes it hard to navigate the menus.
>
> Frequent author and photographer Jim Six noted on a group that he had 
> a cover photo on one of the major magazines shot at 3 mega pixel! As a 
> known author and skilled photographer he had an "in" with getting the 
> image accepted, but it does illustrate that it is technically possible 
> for the magazines to use photos with much less than 12 MP.
>
> Pieter E. Roos
>
> --- On Tue, 10/19/10, shabbona_rr <[email protected] 
> <mailto:user141771%40q.com>> wrote:
> > I've just uploaded in the Files
> > section a photo of an AF hopper car conversion that I've
> > been working on. Wisecracks about the quality, or lack
> > thereof, of my craftsmanship aside, I took this photo with a
> > 12MP Sony Point and Shoot camera I bought for my wife a
> > couple of months ago to demonstrate the quality of the
> > photos this camera is capable of producing.
> >
> > A 12MP photo with this camera is 4000 x 3000 pixels in
> > size. I ask you who know, is this photo of sufficient
> > quality for commercial publication?
> >
> > Bob Nicholson 
>
> 




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