Bob,

I would like to see this discussion too.  The issue of JPEG vs. TIFF is 
confusing to me.  I was sent some plans in TIFF a while back and they locked up 
my computer when I tried to open them: it was not an antique computer 
either<g>.  When I save pics from my digital camera, they are identified as JPG 
in the basic photo program that I like to use.  They look pretty clear to me, 
even when enlarged for cropping.

Roger Nulton


From: shabbona_rr 
Sent: Friday, October 22, 2010 7:49 AM
To: [email protected] 
Subject: {S-Scale List} Re: Cameras


  
OK, this is a technical question, and then I'll drop the subject because it is 
only vaguely related to trains.

Due to the discussion on this list, I took a 4.26 MB JPEG photo and saved it as 
a TIF. According to the properties, the TIF is 26.1 MB. How did changing the 
format raise the size of the photo to that degree? Also, I didn't really see 
much difference in the quality of the photo in either format.

I would really like to know these things, and study them the best I can, but my 
comprehension is sometimes a little limited without some outside help. I didn't 
know how hard it is to draw a straight line until I tried to do it with a 
computer, and now I'm having the same problem with taking a picture.

Bob, I attended your clinic in Duluth, and a lot of my questions all began to 
come together, but to much time elapsed between then and when I got to try the 
techniques you described.

Offline responses welcome to save the list for more important things, like '56 
Fords (with Overdrive, I might add), '73 Mustangs, and DCC, etc. :<)

Bob Nicholson ______________________________________________

--- In [email protected], Bob Werre <b...@...> wrote:
>
> Chris is stating basically the same information that I've been giving at 
> my various clinics at the NASG conventions. I was told when I attended 
> an imging seminar once that a JEPG is created by the camera's onboard 
> computer. This itty bitty computer takes the raw data and compresses it 
> the best it can, whereas if you shoot in RAW you now have everything 
> that the camera can produce. Then your larger full blown computer does 
> the rest of the work with your 'abiliities' controling the computer. 
> 
> Chris also mentions that he likes to be able to crop and recompose the 
> image because it will help his design. For the last 35 years they've 
> always told me to shoot 'loose' so they can do just that. So if you 
> have a 4 mp camera you'll have to shoot a little tighter (thus giving 
> the designer fewer choices) or reproduce the final image a bit smaller. 
> On the other hand some of the most recent camera offerings will provide 
> an excess of information that most pros really don't need. So don't be 
> fooled when someone says they shooting with a 90 mp camera and only 
> using it for magazine usage where a 10-16 mp will do just fine. The 
> problem comes up when you have to store all those very large images and 
> ever more powerful computers to push those pixels around. The 
> computer, software and camera folks have to sell new stuff to you and me. 
> 
> Bob Werre
> BobWphoto.com
> 
> 
> 
> Christopher Borgmeyer wrote:
> 
> > 
> >
> >
> > Finally a technical bugaboo. JPEGs are lossy. That means they loose 
> > data and introduce noise. Even at 100% quality. TIFFs and RAW files do 
> > not. If you have the option, shoot in TIFF or RAW. If you must shoot a 
> > JPEG make sure it is the highest quality setting you can shoot. And 
> > never save a file over and over again as a JPEG. Each time you run 
> > that JPEG compression algorithm on an image you introduce more and 
> > more noise. Trust me, with todays monitors all those jaggies will be 
> > spotted. We know where to look to spot the little rascals. If you're 
> > editing your shot in Photoshop, for example, save the shot as a PSD or 
> > some non-lossy format as you work. Maintain the quality of the data. 
> > JPEGs are the enemy.
> >
> > The moral of all this, composition and quality will always catch the 
> > art director's eye.
> >
> > Chris Borgmeyer
> >
> >
> > 
> 
> 
> 
> 
> [Non-text portions of this message have been removed]
>





[Non-text portions of this message have been removed]



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