Nepal, Singapore Programme…

Two thematic drama presentations by Nepal and Singapore marked the second and 
final evening of the Buddha Purnima Celebrations-2013 in Prasanthi Nilayam here 
today.
After yesterday’s beautiful drama by the Thai devotees, depicting the malicious 
vices that affect the man of today, this evening, it was the turn of Nepal and 
Singapore to come out with two beautiful drama presentations, highlighting the 
teachings of Buddha and Bhagawan Sri Sathya Sai.





The programme commenced at 0520 hrs. with a Kauda Dance presentation by 
Nepalese children. This dance form, with Love as its underlying theme,  belongs 
to the Magar ethnic communities of the mountainous  regions of the Himalayan 
Kingdom.





Next to come was a small dance drama depicting the illustrious life of 
Chandalika, of Buddha’s time. Woven around the theme of untouchability and 
social discrimination, the story ended with Chandalika’s complete 
transformation and surrender at the Feet of Lord Buddha.





Chandalika lived with her mother. One day, as she was returning from the well 
carrying a potful of water, a handsome monk approached her asking for drinking 
water. Owing to ‘untouchability’ prevailing in the society, she hesitated for a 
while, before yielding to the monk’s relentless request. Later when she came to 
know of the monk’s identity, as Bikshu Ananda, the famous disciple of Lord 
Buddha, she became transfixed by his beauty and fell in love with him. When her 
mother brought the monk home one day, enamored by infatuation she danced to 
attract the Bikshu. Bikshu remained nonplussed.  Later Chandalika took refuge 
at Ananda’s ashram to become a monk. Following the tradition, she went back 
home seeking alms from mother. Shocked and dumbfounded, the mother wailed 
before giving alms. Even as Chandalika left the ashram, mother remained 
grief-stricken, crying in agony of separation.





A Sherpa Dance by the Nepalese children followed next. This dance originated 
from the Northern Himalayan Region and is a common item during festivities and 
ceremonies of the Sherpas of the region.





As the title suggests, ‘All Are One, Be Alike To Everyone’, was the depiction 
of  Bhagawan Buddha’s message of seeing everyone with the same eye as God 
dwells in everyone. The drama was presented in a comic style, airing the great 
good message of Buddha and Bhagawan Sri Sathya Sai.





Showcasing the protagonist, Dr Ji, who is overambitious, devoid of any values, 
the drama serves as a silent reminder to the modern men afflicted with greed 
and passion to relent from evil and unhealthy practices, to turn to join hands 
in serving the society.





Dr Ji was highly ambitious and to fulfil his dreams nothing ever mattered or 
stopped him; he was into cheating while practicing his medical profession. 
Serving reminders to save him, Lord Narada appears with sage wisdom to the 
erring medico. Blinded by his greed, Dr Ji paid no heed to the sage’s wisdom.





Even as he fails and continues with his unhealthy practices, Narada with his 
celestial powers, brings  his mother back from the heavens to enlighten her son 
of the need to lead a rightful life, rendering service to the society. The son 
who meet his mother for the first time offers her with all the luxuries; the 
mother in turn seeks three ornaments, a primary school and a hospital for the 
underdeveloped locality apart from asking him to get into serving the society.


Dr Ji, the young, ambitious and ‘blinded’ son was not ready to budge. Here he 
cited reasons of lack of money to get into mother’s dream projects, as 
according to him, it would cost ‘a fortune’.





Narada was left with no option than to use his final weapon. Now comes the 
final guest from the ‘heavens’, messenger of Lord Yama. After initial round of 
ridiculing and teasing, Dr Ji was convinced that his life was on the peril and 
he had no time left to redeem himself. At this point , when he was left with no 
hope of survival, he turned to prayer mode, falling on his knees. Responding to 
his sincere prayers, Buddha appeared with sage wisdom, advising him to correct 
his vision as – All Are One and thus Be Alike To Everyone was Buddha’s advice. 
Buddha redeemed him with extended life as Dr Ji was a transformed man, having 
leant his lesson the hard way.





The presentation had an interlude scene, wherein Lord Buddha comes to save the 
life of a goat, that was to be sacrificed by the ill-affected men, in the name 
of liberation. The scene ended with the message of Samastha Jeevah Sukhino 
Bhavantu, as preached and practised by Bhagawan.





The drama ended with a dance to the tune of the famous song 
Maula…Maula…depicting various service activities being done under the auspices 
and guidance of Bhagawan Sri Sathya Sai.





All the participants were presented with special gifts and prasadam was 
distributed to the entire assemblage.





Bhajans by students continued and ended with Sunday Special, Love Is My Form…in 
Bhagawan’s Divine Voice.
Mangala Arathi was offered at 1900 hrs. marking the end of the session.


II Samastha Lokah Sukhino Bhavantu II

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